Front Lines

by Boyd Cable

“I think,” said the C.O. slowly, “the parade had better dismiss, and when they have unburdened themselves of their—ah—elephants and—ah—coffins—ah—fall in again for inspection.”

The portrait sculptor nearly precipitated calamity by his eager move to dismiss without waiting for the word of command. And after this incident sculpings were left out of pockets at parade times, and the caricaturist forswore any attempts on subjects higher than an N.C.O.

The elephant which Private Copple had produced was another upward step in his art. He had tried animal after animal with faint success. The features of even such well-known animals as cats and cows had a baffling way of fading to such nebulous outlines in his memory as to be utterly unrecognisable when transferred to stone or chalk. A horse, although models in plenty were around, proved to be a more intricate subject than might be imagined, and there were trying difficulties about the proper dimensions and proportions of head, neck, and body. But an elephant had a beautiful simplicity of outline, a solidity of figure that was excellently adapted for modelling, and a recognisability that was proof against the carping doubts and scorn of critics and rival artists. After all, an animal with four legs, a trunk, and a tail is, and must be, an elephant. But there was one great difficulty about the elephant—his tail was a most extraordinarily difficult thing to produce whole and complete in brittle chalk, and there was a distressing casualty list of almost-finished elephants from this weakness.

At first Private Copple made the tail the last finishing touch to his work, but when elephant after elephant had to be scrapped because the tail broke off in the final carving, he reversed the process, began his work on the tail and trunk—another irritatingly breakable part of an elephant’s anatomy—and if these were completed successfully, went on to legs, head, etc. If the trunk or tail broke, he threw away the block and started on a fresh one. He finally improved on this and further reduced the wastage and percentage of loss by beginning his elephant with duplicate ends, with a trunk, that is, at head and stern. If one trunk broke off he turned the remaining portion satisfactorily enough into a tail; if neither broke and the body and legs were completed without accident, he simply whittled one of the trunks down into a tail and rounded off the head at that end into a haunch.

But now such humour as may be in this story must give way for the moment to the tragedy of red war—as humour so often has to do at the front.

Copple was just in the middle of a specially promising elephant when orders came to move. He packed the elephant carefully in a handkerchief and his pocket and took it with him back to the training area where for a time the Oughth London went through a careful instruction and rehearsing in the part they were to play in the next move of the “Show” then running. He continued to work on his elephant in such spare time as he had, and was so very pleased with it that he clung to it when they went on the march again, although pocket space was precious and ill to spare, and the elephant took up one complete side pocket to itself.

Arrived at their appointed place in the show, Copple continued to carry his elephant, but had little time to work on it because he was busy every moment of the day and many hours of the night on his hard and risky duties. The casualties came back to the Aid Post in a steady stream that swelled at times to an almost overwhelming rush, and every man of the Field Ambulance was kept going at his hardest. The Aid Post was established in a partly wrecked German gun emplacement built of concrete, and because all the ground about them was too ploughed up and cratered with shell-fire to allow a motor ambulance to approach it, the wounded had to be helped or carried back to the nearest point to which the hard-working engineers had carried the new road, and there were placed on the motors.

Private Copple was busy one morning helping to carry back some of the casualties. A hot “strafe” was on, the way back led through lines and clumped batches of batteries all in hot action, the roar of gun-fire rose long and unbroken and deafeningly, and every now and then through the roar of their reports and the diminishing wails of their departing shells there came the rising shriek and rush of a German shell, the crump and crash of its burst, the whistle and hum of flying splinters. Private Copple and the rest of the R.A.M.C. men didn’t like it any more than the casualties, who appeared to dread much more, now that they were wounded, the chance of being hit again, chiefly because it would be such “rotten luck” to get killed now that they had done their share, got their “Blighty,” and with decent luck were soon to be out of it all, and safely and comfortably back in hospital and home.

But, although many times the wounded asked to be laid down in a shell-hole, or allowed to take cover for a moment at the warning shriek of an approaching shell, the ambulance men only gave way to them when, from the noise, they judged the shell was going to fall very perilously close. If they had stopped for every shell the work would have taken too long, and the Aid Post was too cram-full, and too many fresh cases were pouring in, to allow of any delay on the mere account of danger. So there were during the day a good many casualties amongst the ambulance men, and so at the end Private Copple was caught. He had hesitated a moment too long in dropping himself into the cover of the shell crater where he had just lowered the “walking wounded” he was supporting back. The shell whirled down in a crescendo of howling, roaring noise, and, just as Copple flung himself down, burst with an earth-shaking crash a score or so of yards away. Copple felt a tremendous blow on his side.