The next morning, before it was really light, I was lying awake looking at Mount Webster, while through the open window came the loud, cheery song of the white-throated sparrows. The hospitable creatures seemed to be inviting me to come at once into their woods; but I knew only too well that, if the invitation were accepted, they would every one of them take to hiding like bashful children.

The white-throat is one of the birds for whom I cherish a special liking. On my first trip to the mountains I jumped off the train for a moment at Bartlett, and had hardly touched the ground before I heard his familiar call. Here, then, was Mr. Peabody at home. Season after season he had camped near me in Massachusetts, and many a time I had been gladdened by his lively serenade; now he greeted me from his own native woods. So far as my observations have gone, he is common throughout the mountain region; and that in spite of the standard guide-book, which puts him down as patronizing the Glen House almost exclusively. He knows the routes too well to need any guide, however, and may be excused for his ignorance of the official programme. It is wonderful how shy he is,—the more wonderful, because, during his migrations, his manner is so very different. Then, even in a city park you may watch him at your leisure, while his loud, clear whistle is often to be heard rising above a din of horse-cars and heavy wagons. But here, in his summer quarters, you will listen to his song a hundred times before you once catch a glimpse of the singer. At first thought it seems strange that a bird should be most at home when he is away from home; but in the one case he has nothing but his own safety to consult, while in the other he is thinking of those whose lives are more to him than his own, and whose hiding-place he is every moment on the alert to conceal.

In Massachusetts we do not expect to find sparrows in deep woods. They belong in fields and pastures, in roadside thickets, or by fence-rows and old stone-walls bordered with barberry bushes and alders. But these white-throats are children of the wilderness. It is one charm of their music that it always comes, or seems to come, from such a distance,—from far up the mountain-side, or from the inaccessible depths of some ravine. I shall not soon forget its wild beauty as it rose out of the spruce forests below me, while I was enjoying an evening promenade, all by myself, over the long, flat summit of Moosilauke. From his habit of singing late at night this sparrow is in some places known as the nightingale. His more common name is the Peabody bird; while a Jefferson man, who was driving me over the Cherry Mountain road, called him the Peverly bird, and told me the following story:—

A farmer named Peverly was walking about his fields one spring morning, trying to make up his mind whether the time had come to put in his wheat. The question was important, and he was still in a deep quandary, when a bird spoke up out of the wood and said, "Sow wheat, Peverly, Peverly, Peverly!—Sow wheat, Peverly, Peverly, Peverly!" That settled the matter. The wheat was sown, and in the fall a most abundant harvest was gathered; and ever since then this little feathered oracle has been known as the Peverly bird.

We have improved on the custom of the ancients: they examined a bird's entrails; we listen to his song. Who says the Yankee is not wiser than the Greek?

But I was lying abed in the Crawford House when the voice of Zonotrichia albicollis sent my thoughts thus astray, from Moosilauke to Delphi. That day and the two following were passed in roaming about the woods near the hotel. The pretty painted trillium was in blossom, as was also the dark purple species, and the hobble-bush showed its broad white cymes in all directions. Here and there was the modest little spring beauty (Claytonia Caroliniana), and not far from the Elephant's Head I discovered my first and only patch of dicentra, with its delicate dissected leaves and its oddly shaped petals of white and pale yellow. The false mitrewort (Tiarella cordifolia) was in flower likewise, and the spur which is cut off Mount Willard by the railroad was all aglow with rhodora,—a perfect flower-garden, on the monochromatic plan now so much in vogue. Along the edge of the rocks on the summit of Mount Willard a great profusion of the common saxifrage was waving in the fresh breeze:

"Ten thousand saw I at a glance,
Tossing their heads in sprightly dance."

On the lower parts of the mountains, the foliage was already well out, while the upper parts were of a fine purplish tint, which at first I was unable to account for, but which I soon discovered to be due to the fact that the trees at that height were still only in bud.

A notable feature of the White Mountain forests is the absence of oaks and hickories. These tough, hard woods would seem to have been created on purpose to stand against wind and cold. But no; the hills are covered with the fragile poplars and birches and spruces, with never an oak or hickory among them. I suspect, indeed, that it is the very softness of the former which gives them their advantage. For this, as I suppose, is correlated with rapid growth; and where the summer is very short, speed may count for more than firmness of texture, especially during the first one or two years of the plant's life. Trees, like men, lose in one way what they gain in another; or, in other words, they "have the defects of their qualities." Probably Paul's confession, "When I am weak, then am I strong," is after all only the personal statement of a general law, as true of a poplar as of a Christian. For we all believe (do we not?) that the world is a universe, governed throughout by one Mind, so that whatever holds in one part is good everywhere.

But it was June, and the birds, who were singing from daylight till dark, would have the most of my attention. It was pleasant to find here two comparatively rare warblers, of whom I had before had only casual glimpses,—the mourning warbler and the bay-breasted. The former was singing his loud but commonplace ditty within a few rods of the piazza on one side of the house, while his congener, the Maryland yellow-throat, was to be heard on the other side, along with the black-cap (Dendrœca striata), the black-and-yellow, and the Canadian flycatcher. The mourning warbler's song, as I heard it, was like this: Whit whit whit, wit wit. The first three notes were deliberate and loud, on one key, and without accent. The last two were pitched a little lower, and were shorter, with the accent on the first of the pair; they were thinner in tone than the opening triplet, as is meant to be indicated by the difference of spelling.[8] Others of the family were the golden-crowned thrush, the small-billed water-thrush, the yellow-rumped, the Blackburnian (with his characteristic zillup, zillup, zillup), the black-throated green, the black-throated blue (the last with his loud, coarse kree, kree, kree), the redstart, and the elegant blue yellow-back. Altogether, they were a gorgeous company.