I go to the top of a grassy mound, and seat myself where I have a lengthwise view of a ditch. Here, ten years ago, more or less, I saw my first gallinule. We had heard his outcries for some days (I speak of myself and two better men), and a visiting New York ornithologist had told us that they were probably the work of a gallinule. They came always from the most inaccessible parts of the swamp, where it seemed hopeless to wade in pursuit of the bird, since we wished to see him alive; but turning the question over in my mind, I bethought myself of this low hilltop, with its command of an open stretch of water between a broad expanse of cat-tails and a wood. Hither I came, therefore. If there was any virtue in waiting, the thing should be done. And sure enough, in no very long time out paddled the bird, with those queer bobbing motions which I was to grow familiar with afterward—a Florida gallinule, with a red plate on his forehead. Again and again I saw him (patience was easy now), and when I had seen enough—for that time—and was on my way back to the railway station, I met the foremost of New England, ornithologists coming down the track. He was on the same hunt, and together we returned to the place I had left; and together we saw the bird. A week or two later he found the nest, and a Massachusetts record was established.

This, I say, was ten years ago. To-day there is no gallinule, or none for me. The best thing I hear, the most characteristically swampy, is the odd diminuendo whistle of a Carolina rail. “We are all here,” he says; “you ought to come oftener.” And I think I will.

A QUIET AFTERNOON

After running hither and thither in search of beauty or novelty, try a turn in the nearest wood. So my good genius whispered to me just now; and here I am. I believe it was good advice.

This venerable chestnut tree, with its deeply furrowed, shadow-haunted, lichen-covered bark of soft, lovely grays and grayish greens, is as stately and handsome as ever. How often I have stopped to admire it, summer and winter, especially in late afternoon, when the level sunlight gives it a beauty beyond the reach of words. Many a time I have gone out of my way to see it, as I would have gone to see some remembered landscape by a great painter.

There is no feeling proud in such company. Anything that can stand still and grow, filling its allotted place and contented to fill it, is enough to put our futile human restlessness to the blush. The wind has long ago blown away some of its branches, but it does not mind. It is busy with its year’s work. I see the young burrs, no bigger than the end of my little finger. When the nuts are ripe the tree will let them fall and think no more about them. How different from a man! When he does a good thing, if by chance he ever does, he must put his hands behind his ears in hopes to hear somebody praising him. Mountains and trees make me humble. I feel like a poor relation.

The pitch-pines are no longer at their best estate. They are brightest when we need their brightness most, in late winter and early spring. This year, at least, the summer sun has faded them badly; but their fragrance is like an elixir. It is one of the glories of pine needles, one of the things in which they excel the rest of us, that they smell sweet, not “in the dust” exactly, but after they are dead.

A nuthatch in one of the trees calls “Tut, tut, tut,” and is so near me that I hear his claws scratching over the dry bark. A busy and cheerful body. Just beyond him a scarlet tanager is posed on a low, leafless twig. Like the pine leaves, he looks out of condition. I am sure I have seen brighter ones. He is silent, but his mate, somewhere in the oak branches over my head, keeps up an emphatic chip-cherr, chip-cherr. Yes, I see her now, and the red one has gone up to perch at her side. She cocks her head, looking at me first out of one eye and then out of the other, and repeats the operation two or three times, like a puzzled microscopist squinting at a doubtful specimen; and all the while she continues to call, though I know nothing of what she means. Once her mate approaches too near, and she opens her bill at him in silence. He understands the sign and keeps his distance. I admire his spirit. It is better than taking a city.

The earliest of the yellow gerardias is in bloom, and a pretty desmodium, also (D. nudiflorum), with a loose raceme of small pink flowers, like miniature sweet-pea blossoms, on a slender leafless stalk. These are in the wood, amidst the underbrush. As I come out into a dry, grassy field I find the meadow-beauty; an odd creature, with a tangle of long stamens; bright-colored, showy in its intention, so to speak, but rather curious than beautiful, in spite of its name; especially because the petals have not the grace to fall when they are done, but hang, withered and discolored, to spoil the grace of later comers. The prettiest thing about it all, after the freshly opened first flower, is the urn-shaped capsule. That, to me, is of really classic elegance.

Now I have crossed the road and am seated on a chestnut stump, with my back against a tree, on the edge of a broad, rolling, closely cropped cattle pasture, a piece of genuine New England. Scattered loosely over it are young, straight, slender-waisted, shoulder-high cedars, and on my right hand is a big patch of hardhack, growing in tufts of a dozen stalks each, every one tipped with an arrow-head of pink blossoms. The whole pasture is full of sunshine. Down at the lower end is a long, narrow, irregular-shaped pond. I cannot see it because of a natural hedge against the fence-row on my left; but somehow the landscape takes an added beauty from the water’s presence. The truth is, perhaps, that I do see it.