“We must consult as to what is to be done,” he said as we descended the stairs. In the hall he opened the dining-room door, and we passed in, he closing the door carefully behind him. The shutters had been opened, but the blinds were already down, with that obedience to the etiquette of death which the British woman of the lower classes always rigidly observes. The room was, therefore, dimly dark. It was, however, light enough for our purposes. Van Helsing’s sternness was somewhat relieved by a look of perplexity. He was evidently torturing his mind about something, so I waited for an instant, and he spoke:—
“What are we to do now? Where are we to turn for help? We must have another transfusion of blood, and that soon, or that poor girl’s life won’t be worth an hour’s purchase. You are exhausted already; I am exhausted too. I fear to trust those women, even if they would have courage to submit. What are we to do for some one who will open his veins for her?”
“What’s the matter with me, anyhow?”
The voice came from the sofa across the room, and its tones brought relief and joy to my heart, for they were those of Quincey Morris. Van Helsing started angrily at the first sound, but his face softened and a glad look came into his eyes as I cried out: “Quincey Morris!” and rushed towards him with outstretched hands.
“What brought you here?” I cried as our hands met.
“I guess Art is the cause.”
He handed me a telegram:—
“Have not heard from Seward for three days, and am terribly anxious. Cannot leave. Father still in same condition. Send me word how Lucy is. Do not delay.—Holmwood.”
“I think I came just in the nick of time. You know you have only to tell me what to do.”
Van Helsing strode forward, and took his hand, looking him straight in the eyes as he said:—