“Then how on earth can there be such a difference?” I asked. “Can’t you throw any light on it?” He shook his head slowly as though pondering deeply and then said with a puzzled look on his face:
“I haven’t an idea. It must have been all right, for the lot of them was there, and the lot of us, too. There couldn’t have been any mistake with them all looking on. No, sir, I can’t account for it; not for the life of me!” Then seeing that I turned to my work again he moved away. When he was half way to the door he turned round, his face brightening as though a new light had suddenly dawned upon him. He spoke out quite genially as though proud of his intellectual effort:
“Unless it was, sir, that there was some mistake about the weighin’. You see, while the weighin’ was goin’ on we was all pretty angry about things. We because they was bestin’ us, and they because we was tellin’ em so, and rubbin’ in what we thought of ’em in a general way. Most of us thought that there might have been a fight and we was all ready—the lot of us—on both sides. We was standin’ close together, for we wouldn’t stir and they had to come to us.... An’—it might have been that me and the boys was standin’ before they came to join us on the platform with the weights! I daresay we wasn’t so quarrelsome when we moved a bit away, for there was more of them than of us; an’ they stood where we had been. They didn’t want to follow us. An’—an’—the weighin’ was done by them!”
VII
One more anecdote of the Property Master.
We were playing in Glasgow at the Theatre Royal, which had just been bought by Howard and Wyndham. J. B. Howard was a man of stern countenance and masterful manner. He was a kindly man, but Nature had framed him in a somewhat fierce mould. His new theatre was a sacred thing, and he liked to be master in his own house. We were playing an engagement of two weeks; and on the first Saturday night it was found that a certain property—a tree trunk required for use in Hamlet, which was to be played on Tuesday night—was not forthcoming. So Arnott was told to make another at once and have it ready, for it required time to dry. Accordingly he went down to the theatre on Sunday morning with a couple of his men. There was no one in the theatre; in accordance with the strict Sabbath-keeping then in vogue at Glasgow, local people were all away—even the hall-keeper. Such a small matter as that would never deter Arnott. He had his work to do, and get in he must. So he took out a pane of glass, opened a window, and went in. In the property shop he found all he required; wood, glue, canvas, nails, paint; so the little band of expert workmen set to work, and having finished their task, came away. They had restored the window-pane, and came out by the door. On Monday morning there was a hubbub. Some one had broken into the theatre and taken store of wood and canvas, glue, nails and paint, and there in the shop lay a fine property log already “set” and drying fast. Inquiry showed that none of the local people were to blame. So suspicion naturally fell on our men, who did not deny the soft impeachment. Howard was fuming; he sent for the man to have it out with him. Arnott was a fine, big, well-featured north-countryman, with large limbs and massive shoulders—such a man as commanded some measure of respect even from an angry manager.
“I hear that you broke into my theatre yesterday and used up a lot of my stores?”
“Yes sir! The theatre was shut up and there was no time.”
“Time has nothing to do with it, sir. Why did you do it?”
“Well, Mr. Howard, the governor ordered it, and Mr. Loveday told me not to lose any time in getting it ready as we had to rehearse to-day.” This accounted to Mr. Howard, the man, for the breach of decorum; but as the manager he was not satisfied. He was not willing to relinquish his grievance all at once; so he said, and he said it in the emphatic manner customary to him: