“We got to Cairo all right, and from there to Alexandria, where we were to take ship by the Messagerie service to Marseilles, and go thence by express to London. But
‘The best-laid schemes o’ mice and men Gang aft agley.’
At Alexandria, Trelawny found waiting a cable stating that Mrs. Trelawny had died in giving birth to a daughter.
“Her stricken husband hurried off at once by the Orient Express; and I had to bring the treasure alone to the desolate house. I got to London all safe; there seemed to be some special good fortune to our journey. When I got to this house, the funeral had long been over. The child had been put out to nurse, and Mr. Trelawny had so far recovered from the shock of his loss that he had set himself to take up again the broken threads of his life and his work. That he had had a shock, and a bad one, was apparent. The sudden grey in his black hair was proof enough in itself; but in addition, the strong cast of his features had become set and stern. Since he received that cable in the shipping office at Alexandria I have never seen a happy smile on his face.
“Work is the best thing in such a case; and to his work he devoted himself heart and soul. The strange tragedy of his loss and gain—for the child was born after the mother’s death—took place during the time that we stood in that trance in the Mummy Pit of Queen Tera. It seemed to have become in some way associated with his Egyptian studies, and more especially with the mysteries connected with the Queen. He told me very little about his daughter; but that two forces struggled in his mind regarding her was apparent. I could see that he loved, almost idolised her. Yet he could never forget that her birth had cost her mother’s life. Also, there was something whose existence seemed to wring his father’s heart, though he would never tell me what it was. Again, he once said in a moment of relaxation of his purpose of silence:
“‘She is unlike her mother; but in both feature and colour she has a marvellous resemblance to the pictures of Queen Tera.’
“He said that he had sent her away to people who would care for her as he could not; and that till she became a woman she should have all the simple pleasures that a young girl might have, and that were best for her. I would often have talked with him about her; but he would never say much. Once he said to me: ‘There are reasons why I should not speak more than is necessary. Some day you will know—and understand!’ I respected his reticence; and beyond asking after her on my return after a journey, I have never spoken of her again. I had never seen her till I did so in your presence.
“Well, when the treasures which we had—ah!—taken from the tomb had been brought here, Mr. Trelawny arranged their disposition himself. The mummy, all except the severed hand, he placed in the great ironstone sarcophagus in the hall. This was wrought for the Theban High Priest Uni, and is, as you may have remarked, all inscribed with wonderful invocations to the old Gods of Egypt. The rest of the things from the tomb he disposed about his own room, as you have seen. Amongst them he placed, for special reasons of his own, the mummy hand. I think he regards this as the most sacred of his possessions, with perhaps one exception. That is the carven ruby which he calls the ‘Jewel of Seven Stars’, which he keeps in that great safe which is locked and guarded by various devices, as you know.
“I dare say you find this tedious; but I have had to explain it, so that you should understand all up to the present. It was a long time after my return with the mummy of Queen Tera when Mr. Trelawny re-opened the subject with me. He had been several times to Egypt, sometimes with me and sometimes alone; and I had been several trips, on my own account or for him. But in all that time, nearly sixteen years, he never mentioned the subject, unless when some pressing occasion suggested, if it did not necessitate, a reference.
“One morning early he sent for me in a hurry; I was then studying in the British Museum, and had rooms in Hart Street. When I came, he was all on fire with excitement. I had not seen him in such a glow since before the news of his wife’s death. He took me at once into his room. The window blinds were down and the shutters closed; not a ray of daylight came in. The ordinary lights in the room were not lit, but there were a lot of powerful electric lamps, fifty candle-power at least, arranged on one side of the room. The little bloodstone table on which the heptagonal coffer stands was drawn to the centre of the room. The coffer looked exquisite in the glare of light which shone on it. It actually seemed to glow as if lit in some way from within.