THE GOLD BRICK
TEN thousand dollars a year! Neil Kittrell left the office of the Morning Telegraph in a daze. He was insensible of the raw February air, heedless of sloppy pavements; the gray day had suddenly turned gold. He could not realize it all at once; ten thousand a year—for him and Edith! His heart swelled with love of Edith; she had sacrificed so much to become the wife of a man who had tried to make an artist of himself, and of whom fate, or economic determinism, or something, had made a cartoonist. What a surprise for her! He must hurry home.
In this swelling of his heart he felt a love not only of Edith but of the whole world. The people he met seemed dear to him; he felt friendly with every one, and beamed on perfect strangers with broad, cheerful smiles. He stopped to buy some flowers for Edith—daffodils, or tulips, which promised spring, and he took the daffodils, because the girl said:
“I think yellow is such a spirituelle color, don’t you?” and inclined her head in a most artistic manner.
But daffodils, after all, which would have been much the day before, seemed insufficient in the light of new prosperity, and Kittrell bought a large azalea, beautiful in its graceful spread of pink blooms.
“Where shall I send it?” asked the girl, whose cheeks were as pink as azaleas themselves.
“I think I’ll call a cab and take it to her myself,” said Kittrell.
And she sighed over the romance of this rich young gentleman and the girl of the azalea, who, no doubt, was as beautiful as the young woman who was playing Lottie, the Poor Saleslady at the Lyceum that very week.
Kittrell and the azalea bowled along Claybourne Avenue; he leaned back on the cushions, and adopted the expression of ennui appropriate to that thoroughfare. Would Edith now prefer Claybourne Avenue? With ten thousand a year they could, perhaps—and yet, at first it would be best not to put on airs, but to go right on as they were, in the flat. Then the thought came to him that now, as the cartoonist on the Telegraph, his name would become as well known in Claybourne Avenue as it had been in the homes of the poor and humble during his years on the Post. And his thoughts flew to those homes where tired men at evening looked for his cartoons and children laughed at his funny pictures. It gave him a pang; he had felt a subtle bond between himself and all those thousands who read the Post. It was hard to leave them. The Post might be yellow, but, as the girl had said, yellow was a spiritual color, and the Post brought something into their lives—lives that were scorned by the Telegraph and by these people on the avenue. Could he make new friends here, where the cartoons he drew and the Post that printed them had been contemned, if not despised? His mind flew back to the dingy office of the Post; to the boys there, the whole good-natured, happy-go-lucky gang; and to Hardy—ah, Hardy!—who had been so good to him, and given him his big chance, had taken such pains and interest, helping him with ideas and suggestions, criticism and sympathy. To tell Hardy that he was going to leave him, here on the eve of the campaign—and Clayton, the mayor, he would have to tell him, too—oh, the devil! Why must he think of these things now?
After all, when he had reached home, and had run up-stairs with the news and the azalea, Edith did not seem delighted.