"Do you care to comment on what the Post said this evening?" asked a representative of that paper.
"What the hell do I care what your dirty, blackmailing sheet says? What the hell do I care?"
Cleary left then, and a moment later they heard his heavy voice through the open window, swearing at the horse as he drove away in his light official wagon.
In truth, the police were wholly at sea. All day the newspapers had been issuing extras giving new details, or repeating old details of the crime. The hatred that had been loosened in the cottage of the Flanagan sisters had, as it were, poured in black streams into the whole people, and the newspapers had gathered up this stream, confined it, and then, with demands for vengeance, poured it out again on the head of the superintendent of police, and he, in turn, maddened and tortured by criticism, had poured out this hatred on the men who were beneath him; and now, at nightfall, they were going out into the dark city, maddened and tormented themselves, ready to pour it on to any one they might encounter. And it was this same hatred that had sickened the breasts of Kouka and Quinn so that, after a friendship of years, they had quarreled, and were quarreling even now up-stairs in the detectives' office.
When he heard of the crime, Kouka realized that if he could discover the murderers of Margaret Flanagan he might come into a notoriety that would be the making of him. And he had wondered how he might achieve this. He had visited Lulu Corners, and all day his mind had been at work, incessantly revolving the subject; he had recalled all the criminals he knew, trying to imagine which of them might have done the deed, trying to decide on which of them he might fasten the crime. For his mind worked like the minds of most policemen--the problem was not necessarily to discover who had committed the crime, but who might have committed it, and this night, with the criticism of the newspapers, and with the abuse of the superintendent, he felt himself more and more driven to the necessity of doing something in order to show that the police were active. And when he heard from Quinn that he had arrested Archie Koerner on Friday, and that Bostwick had ordered him out of the city, he instantly suspected that it was Archie who had murdered Margaret Flanagan. Quinn had laughed at the notion, but this only served to convince Kouka and make him stubborn. The problem then was to find Archie. When Inspector McFee made his details for that night, all with special reference to the Flanagan murder, Kouka asked for a special detail, intimating that he had some clue which he wished to follow alone, and McFee, who was at his wits' end, was willing enough to let Kouka follow his own leading.
The night detail tramped heavily down the dark halls and out into Market Place; the detectives left the building and separated, stealing off in different directions. An hour later, patrol wagons began to roll up to the station; the tenderloin was in a turmoil; saloons, brothels and dives were raided, the night was not half gone before the prison was crowded with miserable men and women, charged with all sorts of crimes, and, when no other charge could be imagined, with suspicion.
Meanwhile, Archie and Curly were trudging through dark side-streets and friendly alleys on their way to Archie's home; for Archie had determined to see his father and his mother once more before he left the city. Archie was armed with a revolver he had procured from Gray.
IV
Kouka visited the tenderloin and learned that Archie had not left town. He learned, too, that he had a companion, and though he could follow the trail no farther, he had decided to watch Archie's home in the chance that the boy might visit it some time during the night. And now, for two hours, in the patience that was part of his stupidity, he had lurked in the black doorway of the grocery. Bolt Street was dark and still. Overhead, low clouds were flying; and the old stool-pigeon, coming later and later each night, as if bad habits were growing on it, had not yet appeared. Now and then, hearing footsteps, Kouka would shrink into the darkest corner of the doorway; the steps would sound louder and louder on the wooden sidewalk, some one would pass, and the steps would gradually fade from his hearing. All this had a curious effect on Kouka's mind. In some doubt at first, the waiting, the watching with one object in view, more and more convinced him that he was right, and in time the idea that Archie was the murderer he sought became definitely fixed. The little house across the street gradually, through the slowly moving hours, took on an aspect that confirmed Kouka's theory; it seemed to be waiting for Archie's coming as expectantly as the detective. During the first hour of his vigil, a shaft of yellow light had streamed out of the kitchen window into the side yard, and Kouka watched this light intently. Finally, at nine o'clock, it was suddenly drawn in, as it were, and the house became dark. After this, the house seemed to enshroud itself with some mysterious tragic apprehension; and Kouka waited, stolidly, patiently, possessed by his theory.
And then, it must have been after ten o'clock, Kouka, who had heard no footsteps and no sound whatever, suddenly, across the street, saw two figures. They stopped, opened the low gate, stepped on to the stoop and knocked. Their summons was answered almost immediately; the door opened, and, in the light that suddenly filled the door-frame, Kouka recognized Archie Koerner; a woman, his mother, doubtless, stood just inside; he heard her give a little cry, then Archie put out his arms and bent toward her; then he went in, his companion following, and the door was closed. In another moment the shaft of light shot out into the side yard again.