Then Cleary, Quinn, Bentley, the policemen, the detectives, the reporters, looked at one another and smiled, Cleary bent over the old woman.
"That's all, Miss Flanagan. You needn't worry any more. We're sorry we had to trouble you, but the law, you know, and our duty--"
He repeated the words "law" and "duty" several times. Meanwhile Archie stood there, between the two policemen. He looked about him, at the men in the room, at the old woman stretched on the lounge; finally his gaze fastened on Cleary, and his lips slowly curled in a sneer, and his face hardened into an expression of utter scorn.
"Take him down!" shouted Cleary angrily.
The reporters rushed out. An hour later the extras were on the streets, announcing the complete and positive identification of Archie Koerner by Bridget Flanagan.
"The hardened prisoner," the reports said, "stood and sneered while the old woman confronted him. The police have not known so desperate a character in years."
VIII
Marriott had attended to all of Archie's commissions, save one--that of telling Gusta to go to him. He had not done this because he did not know where to find her. But Gusta went herself, just as she seemed to do most things in life, because she could not help doing them, because something impelled, forced her to do them,--some power that made sport of her, using a dozen agencies, forces hereditary, economic, social, moral, all sorts--driving her this way and that. She had read of the murder, and then, with horror, of Archie's arrest. She did not know he was out of prison until she heard that he was in prison again. She began to calculate the time that had flowed by so swiftly, making such changes in her life. Her first impulse was to go to him, but now she feared the police. She recalled her former visits, that first Sunday at the workhouse, on which she had thought herself so sad, whereas she had not begun to learn what sorrow was. She recalled the day in the police station a year before, and remembered the policeman who had held her arm so suggestively. She read the newspapers eagerly, absorbed every detail, her heart sinking lower than it had ever gone before. When she read that Marriott was to defend Archie, she allowed herself to hope. The next day she read an account of the identification of Archie by the surviving Flanagan sister, and then, when hope was gone, she could resist no longer the impulse to go to him.
She paused again at the door of the sergeant's room, her heart beating painfully with the fear that showed itself in little white spots on each side of her nostrils; then the timid parleying with the officers, the delay, the suspicion, the opposition, the reluctance, until an officer in uniform took her in charge, led her down the iron stairway to the basement, and had the turnkey open the prison doors. Archie came to the bars, and peered purblindly into the gloom. And Gusta went close now, closer than she had ever gone before; the bars had no longer the old meaning for her, they had no longer their old repulsion, and she looked at Archie no more with the old feeling of reproach and moral superiority. In fact, she judged no more; sin had healed her of such faults as self-satisfaction and moral complacency; it had softened and instructed her, and in its great kindness revealed to her her own relation to all who sin, so that she came now with nothing but compassion, sympathy and love. Tears were streaming down her cheeks.
"Oh, Archie!" she said. "Oh, Archie!"