- The Show Business [1]
- The Limitations of the Stage [17]
- A Moral from a Toy Theater [37]
- Why Five Acts? [55]
- Dramatic Collaboration [77]
- The Dramatization of Novels and the
Novelization of Plays [93] - Women Dramatists [111]
- The Evolution of Scene-Painting [127]
- The Book of the Opera [153]
- The Poetry of the Dance [169]
- The Principles of Pantomime [185]
- The Ideal of the Acrobat [201]
- The Decline and Fall of Negro-Minstrelsy [217]
- The Utility of the Variety-Show [235]
- The Method of Modern Magic [251]
- The Lamentable Tragedy of Punch and Judy [271]
- The Puppet-Play, Past and Present [287]
- Shadow-Pantomime, with All the Modern
Improvements [303] - The Problem of Dramatic Criticism [319]
ILLUSTRATIONS
Le ballet de la reine [Frontispiece]
FACING PAGE
Upper half of Plate No. 1, the 'Miller and His Men' [a]40]
A group of the principal characters from
Pollock's juvenile drama, the 'Miller and His Men' [42]
Explosion of the mill. A back drop in the 'Miller and His Men' [46]
Plate No. 7, the 'Miller and His Men' [48]
Lower half of Plate No. 5, the 'Miller and His Men' [52]