“I thought so,” returned the man, without altering his position; “you don't know ME. You never saw ME before. Well, I'm Jim Dawson, the nephew of L'Hommadieu, YOUR OLD MASTER!”
She gripped the iron rail of the seat as if to leap from it, but checked herself suddenly and leaned back, with a set smile on her mouth that seemed stamped there. It was remarkable that with that smile she flung away her old affectation of superciliousness for an older and ruder audacity, and that not only the expression, but the type of her face appeared to have changed.
“I don't say,” continued the man quietly, “that he didn't MARRY you before he died. But you know as well as I do that the laws of his State didn't recognize the marriage of a master with his octoroon slave! And you know as well as I do that even if he had freed you, he couldn't change your blood. Why, if I'd been willing to stay at Avoyelles to be a nigger-driver like him, the plantation of 'de Fontanges'—whose name you have taken—would have been left to me. If YOU had stayed there, you might have been my property instead of YOUR owning a square man like Randolph. You didn't think of that when you came here, did you?” he said composedly.
“Oh, mon Dieu!” she said, dropping rapidly into a different accent, with her white teeth and fixed mirthless smile, “so it is a claim for PROPERTY, eh? You're wanting money—you? Tres bien, you forget we are in California, where one does not own a slave. And you have a fine story there, my poor friend. Very pretty, but very hard to prove, m'sieu. And these peasants are in it, eh, working it on shares like the farm, eh?”
“Well,” said Dawson, slightly changing his position, and passing his hand over the horse's neck with a half-wearied contempt, “one of these men is from Plaquemine, and the other from Coupee. They know all the l'Hommadieus' history. And they know a streak of the tar brush when they see it. They took your measure when they came here last year, and sized you up fairly. So had I, for the matter of that, when I FIRST saw you. And we compared notes. But the major is a square man, for all he is your husband, and we reckoned he had a big enough contract on his hands to take care of you and l'Hommadieu's half-breeds, and so”—he tossed the reins contemptuously aside—“we kept this to ourselves.”
“And now you want—what—eh?”
“We want an end to this foolery,” he broke out roughly, stepping back from the vehicle, and facing her suddenly, with his first angry gesture. “We want an end to these airs and grimaces, and all this dandy nigger business; we want an end to this 'cake-walking' through the wheat, and flouting of the honest labor of your betters. We want you and your 'de Fontanges' to climb down. And we want an end to this roping-in of white folks to suit your little game; we want an end to your trying to mix your nigger blood with any one here, and we intend to stop it. We draw the line at the major.”
Lashed as she had been by those words apparently out of all semblance of her former social arrogance, a lower and more stubborn resistance seemed to have sprung up in her, as she sat sideways, watching him with her set smile and contracting eyes.
“Ah,” she said dryly, “so SHE IS HERE. I thought so. Which of you is it, eh? It's a good spec—Mallory's a rich man. She's not particular.”
The man had stopped as if listening, his head turned towards the road. Then he turned carelessly, and facing her again, waved his hand with a gesture of tired dismissal, and said, “Go! You'll find your driver over there by the tool-shed. He has heard nothing yet—but I've given you fair warning. Go!”