He started. He had been sleeping, but the voice sounded strangely real.
A light, girlish laugh followed. He sprang to his feet. It was Susy standing beside him—and Susy even as she looked in the old days!
For with a flash of her old audacity, aided by her familiar knowledge of the house and the bunch of household keys she had found, which dangled from her girdle, as in the old fashion, she had disinterred one of her old frocks from a closet, slipped it on, and unloosening her brown hair had let it fall in rippling waves down her back. It was Susy in her old girlishness, with the instinct of the grown actress in the arrangement of her short skirt over her pretty ankles and the half-conscious pose she had taken.
“Poor dear old Clarence,” she said, with dancing eyes; “I might have won a dozen pairs of gloves from you while you slept there. But you're tired, dear old boy, and you've had a hard time of it. No matter; you've shown yourself a man at last, and I'm proud of you.”
Half ashamed of the pleasure he felt even in his embarrassment, Clarence stammered, “But this change—this dress.”
Susy clapped her hands like a child. “I knew it would surprise you! It's an old frock I wore the year I went away with auntie. I knew where it was hidden, and fished it out again with these keys, Clarence; it seemed so like old times. Lord! when I was with the old servants again, and you didn't come down, I just felt as if I'd never been away, and I just rampaged free. It seemed to me, don't you know, not as if I'd just come, but as if I'd always been right here, and it was you who'd just come. Don't you understand! Just as you came when me and Mary Rogers were here; don't you remember her, Clarence, and how she used to do 'gooseberry' for us? Well, just like that. So I said to Jim, 'I don't know you any more—get!' and I just slipped on this frock and ordered Manuela around as I used to do—and she in fits of laughter; I reckon, Clarence, she hasn't laughed as much since I left. And then I thought of you—perhaps worried and flustered as yet over things, and the change, and I just slipped into the kitchen and I told old fat Conchita to make some of these tortillas you know,—with sugar and cinnamon sprinkled on top,—and I tied on an apron and brought 'em up to you on a tray with a glass of that old Catalan wine you used to like. Then I sorter felt frightened when I got here, and I didn't hear any noise, and I put the tray down in the hall and peeped in and found you asleep. Sit still, I'll fetch em.”
She tripped out into the passage, returning with the tray, which she put on the table beside Clarence, and then standing back a little and with her hands tucked soubrette fashion in the tiny pockets of her apron, gazed at him with a mischievous smile.
It was impossible not to smile back as he nibbled the crisp Mexican cake and drank the old mission wine. And Susy's tongue trilled an accompaniment to his thanks.
“Lord! it seems so nice to be here—just you and me, Clarence—like in the old days—with nobody naggin' and swoopin' round after you. Don't be greedy, Clarence, but give me a cake.” She took one and finished the dregs of his glass.
Then sitting on the arm of his chair, she darted a violet ray of half reproach and half mischievousness into his amused and retrospective eyes. “There used to be room for two in that chair, Klarns.”