“But there be no company this Christmas,” said the custodian, “and 'is lordship does not entertain, unless it be the new fool 'is lordship sent down 'ere to-day, who has been mopin' and moonin' in the corridors, as is ever the way of these wittol creatures when they are not heeded. He was 'ere in a rare motley of his own choosing, with which he thinks to raise a laugh, a moment ago. Ye see him not—not 'avin' the gift that belongs by right to my dread office. 'Tis a weird privilege I have—and may not be imparted to others—save”—
“Save what, good man steward? Prithee, speak?” said Marian earnestly.
“'Tis ever a shillin' extra.”
There was no response. A few of the more bashful ghosts thrust their hands in their pockets and looked awkwardly another way. The Barbarian felt a momentary relief followed by a slight pang of mortified vanity. He was a little afraid of them. The price was an extortion, certainly, but surely he was worth the extra shilling!
“He has brought but little braveries of attire into the Castle,” continued the Cicerone, “but I 'ave something 'ere which was found on the top of his portmanteau. I wot ye know not the use of this.” To the Barbarian's intense indignation, the Cicerone produced, from under his, his (the Barbarian's) own opera hat. “Marry, what should be this? Read me this riddle! To it—and unyoke!”
A dozen vacant guesses were made as the showman held it aloft. Then with a conjuror's gesture he suddenly placed his thumbs within the rim, released the spring and extended the hat. The assembly laughed again silently as before.
“'Tis a hat,” said the Cicerone, with a superior air.
“Nay,” said Maudlin, “give it here.” She took it curiously, examined it, and then with a sudden coquettish movement lifted it towards her own coifed head, as if to try it on. The Cicerone suddenly sprang forward with a despairing gesture to prevent her. And here the Barbarian was conscious of a more startling revelation. How and why he could not tell, but he KNEW that the putting on of that article of his own dress would affect the young girl as the assumption of the steel cap and corselet had evidently affected him, and that he would instantly become as visible to her as she and her companions had been to him. He attempted to rise, but was too late; she had evaded the Cicerone by ducking, and, facing in the direction of the Barbarian, clapped the hat on her head. He saw the swift light of consciousness, of astonishment, of sudden fear spring into her eyes! She shrieked, he started, struggled, and awoke!
But what was this! He was alone in the moonlit gallery, certainly; the ghastly figures in their outlandish garb were gone; he was awake and in his senses, but, in this first flash of real consciousness, he could have sworn that something remained! Something terror-stricken, and retreating even then before him,—something of the world, modern,—and, even as he gazed, vanishing through the gallery door with the material flash and rustle of silk.
He walked quietly to the door. It was open. Ah! No doubt he had forgotten to shut it fast; a current of air or a sudden draught had opened it. That noise had awakened him. More than that, remembering the lightning flash of dream consciousness, it had been the CAUSE of his dream. Yet, for a few moments he listened attentively.