Amita, a taller copy of Maruja, and more regularly beautiful, had built up a little pile of bread crumbs between herself and Raymond, and was listening to him with a certain shy, girlish interest that was as inconsistent with the serene regularity of her face as Maruja's self-possessed, subtle intelligence was incongruous to her youthful figure. Raymond's voice, when he addressed Amita, was low and earnest; not from any significance of matter, but from its frank confidential quality.
"They are discussing the new railroad project, and your relations are all opposed to it; to-morrow they will each apply privately to Aladdin for the privilege of subscribing."
"I have never seen a railroad," said Amita, slightly coloring; "but you are an engineer, and I know they must be some thing very clever."
Notwithstanding the coolness of the night, a full moon drew the guests to the veranda, where coffee was served, and where, mysteriously muffled in cloaks and shawls, the party took upon itself the appearance of groups of dominoed masqueraders, scattered along the veranda and on the broad steps of the porch in gypsy-like encampments, from whose cloaked shadow the moonlight occasionally glittered upon a varnished boot or peeping satin slipper. Two or three of these groups had resolved themselves into detached couples, who wandered down the acacia walk to the sound of a harp in the grand saloon or the occasional uplifting of a thin Spanish tenor. Two of these couples were Maruja and Garnier, followed by Amita and Raymond.
"You are restless to-night, Maruja," said Amita, shyly endeavoring to make a show of keeping up with her sister's boyish stride, in spite of Raymond's reluctance. "You are paying for your wakefulness to-day."
The same idea passed through the minds of both men. She was missing the excitement of Captain Carroll's presence.
"The air is so refreshing away from the house," responded Maruja, with a bright energy that belied any suggestion of fatigue or moral disquietude. "I'm tired of running against those turtle-doves in the walks and bushes. Let us keep on to the lane. If you are tired, Mr. Raymond will give you his arm."
They kept on, led by the indomitable little figure, who, for once, did not seem to linger over the attentions, both piquant and tender, with which Garnier improved his opportunity. Given a shadowy lane, a lovers' moon, a pair of bright and not unkindly eyes, a charming and not distant figure—what more could he want? Yet he wished she hadn't walked so fast. One might be vivacious, audacious, brilliant, at an Indian trot; but impassioned—never! The pace increased; they were actually hurrying. More than that, Maruja had struck into a little trot; her lithe body swaying from side to side, her little feet straight as an arrow before her; accompanying herself with a quaint musical chant, which she obligingly explained had been taught her as a child by Pereo. They stopped only at the hedge, where she had that morning encountered the tramp.
There is little doubt that the rest of the party was disconcerted: Amita, whose figure was not adapted to this Camilla-like exercise; Raymond, who was annoyed at the poor girl's discomfiture; and Garnier, who had lost a golden opportunity, with the faint suspicion of having looked ridiculous. Only Maruja's eyes, or rather the eyes of her lamented father, seemed to enjoy it.
"You are too effeminate," she said, leaning against the fence, and shading her eyes with her fan, as she glanced around in the staring moonlight. "Civilization has taken away your legs. A man ought to be able to trust to his feet all day, and to nothing else."