The effect of the poem on Sierra Flat was remarkable and unprecedented. The absolute vileness of its doggerel, the gratuitous imbecility of its thought, and above all the crowning audacity of the fact that it was the work of a citizen and published in the county paper, brought it instantly into popularity. For many months Calaveras had languished for a sensation; since the last vigilance committee nothing had transpired to dispel the listless ennui begotten of stagnant business and growing civilization. In more prosperous moments the office of the “Record” would have been simply gutted and the editor deported; at present the paper was in such demand that the edition was speedily exhausted. In brief, the poem of Mr. Milton Chubbuck came like a special providence to Sierra Flat. It was read by camp-fires, in lonely cabins, in flaring bar-rooms and noisy saloons, and declaimed from the boxes of stagecoaches. It was sung in Poker Flat with the addition of a local chorus, and danced as an unhallowed rhythmic dance by the Pyrrhic phalanx of One Horse Gulch, known as “The Festive Stags of Calaveras.” Some unhappy ambiguities of expression gave rise to many new readings, notes, and commentaries, which, I regret to state, were more often marked by ingenuity than delicacy of thought or expression.
Never before did poet acquire such sudden local reputation. From the seclusion of McCorkle's cabin and the obscurity of culinary labors, he was haled forth into the glowing sunshine of Fame. The name of Chubbuck was written in letters of chalk on unpainted walls, and carved with a pick on the sides of tunnels. A drink known variously as “The Chubbuck Tranquillizer,” or “The Chubbuck Exalter,” was dispensed at the bars. For some weeks a rude design for a Chubbuck statue, made up of illustrations from circus and melodeon posters, representing the genius of Calaveras in brief skirts on a flying steed in the act of crowning the poet Chubbuck, was visible at Keeler's Ferry. The poet himself was overborne with invitations to drink and extravagant congratulations. The meeting between Colonel Starbottle of Siskyion and Chubbuck, as previously arranged by our “Boston,” late of Roaring Camp, is said to have been indescribably affecting. The Colonel embraced him unsteadily. “I could not return to my constituents at Siskyion, sir, if this hand, which has grasped that of the gifted Prentice and the lamented Poe, should not have been honored by the touch of the godlike Chubbuck. Gentlemen, American literature is looking up. Thank you, I will take sugar in mine.” It was “Boston” who indited letters of congratulations from H. W. Longfellow, Tennyson, and Browning, to Mr. Chubbuck, deposited them in the Sierra Flat post-office, and obligingly consented to dictate the replies.
The simple faith and unaffected delight with which these manifestations were received by the poet and his patron might have touched the hearts of these grim masters of irony, but for the sudden and equal development in both of the variety of weak natures. Mr. McCorkle basked in the popularity of his protege, and became alternately supercilious or patronizing toward the dwellers of Sierra Flat; while the poet, with hair carefully oiled and curled, and bedecked with cheap jewelry and flaunting neck-handkerchief, paraded himself before the single hotel. As may be imagined, this new disclosure of weakness afforded intense satisfaction to Sierra Flat, gave another lease of popularity to the poet, and suggested another idea to the facetious “Boston.”
At that time a young lady popularly and professionally known as the “California Pet” was performing to enthusiastic audiences in the interior. Her specialty lay in the personation of youthful masculine character; as a gamin of the street she was irresistible, as a negro-dancer she carried the honest miner's heart by storm. A saucy, pretty brunette, she had preserved a wonderful moral reputation even under the Jove-like advances of showers of gold that greeted her appearance on the stage at Sierra Flat. A prominent and delighted member of that audience was Milton Chubbuck. He attended every night. Every day he lingered at the door of the Union Hotel for a glimpse of the “California Pet.” It was not long before he received a note from her,—in “Boston's” most popular and approved female hand,—acknowledging his admiration. It was not long before “Boston” was called upon to indite a suitable reply. At last, in furtherance of his facetious design, it became necessary for “Boston” to call upon the young actress herself and secure her personal participation. To her he unfolded a plan, the successful carrying out of which he felt would secure his fame to posterity as a practical humorist. The “California Pet's” black eyes sparkled approvingly and mischievously. She only stipulated that she should see the man first,—a concession to her feminine weakness which years of dancing Juba and wearing trousers and boots had not wholly eradicated from her wilful breast. By all means, it should be done. And the interview was arranged for the next week.
It must not be supposed that during this interval of popularity Mr. Chubbuck had been unmindful of his poetic qualities. A certain portion of each day he was absent from town,—“a communin' with natur',” as Mr. McCorkle expressed it,—and actually wandering in the mountain trails, or lying on his back under the trees, or gathering fragrant herbs and the bright-colored berries of the Marzanita. These and his company he generally brought to the editor's office, late in the afternoon, often to that enterprising journalist's infinite weariness. Quiet and uncommunicative, he would sit there patiently watching him at his work until the hour for closing the office arrived, when he would as quietly depart. There was something so humble and unobtrusive in these visits, that the editor could not find it in his heart to deny them, and accepting them, like the woodpeckers, as a part of his sylvan surroundings, often forgot even his presence. Once or twice, moved by some beauty of expression in the moist, shy eyes, he felt like seriously admonishing his visitor of his idle folly; but his glance falling upon the oiled hair and the gorgeous necktie, he invariably thought better of it. The case was evidently hopeless.
The interview between Mr. Chubbuck and the “California Pet” took place in a private room of the Union Hotel; propriety being respected by the presence of that arch-humorist, “Boston.” To this gentleman we are indebted for the only true account of the meeting. However reticent Mr. Chubbuck might have been in the presence of his own sex, toward the fairer portion of humanity he was, like most poets, exceedingly voluble. Accustomed as the “California Pet” had been to excessive compliment, she was fairly embarrassed by the extravagant praises of her visitor. Her personation of boy characters, her dancing of the “champion jig,” were particularly dwelt upon with fervid but unmistakable admiration. At last, recovering her audacity and emboldened by the presence of “Boston,” the “California Pet” electrified her hearers by demanding, half jestingly, half viciously, if it were as a boy or a girl that she was the subject of his flattering admiration.
“That knocked him out o' time,” said the delighted “Boston,” in his subsequent account of the interview. “But do you believe the d——d fool actually asked her to take him with her; wanted to engage in the company.”
The plan, as briefly unfolded by “Boston,” was to prevail upon Mr. Chubbuck to make his appearance in costume (already designed and prepared by the inventor) before a Sierra Flat audience, and recite an original poem at the Hall immediately on the conclusion of the “California Pet's” performance. At a given signal the audience were to rise and deliver a volley of unsavory articles (previously provided by the originator of the scheme); then a select few were to rush on the stage, seize the poet, and, after marching him in triumphal procession through town, were to deposit him beyond its uttermost limits, with strict injunctions never to enter it again. To the first part of the plan the poet was committed, for the latter portion it was easy enough to find participants.
The eventful night came, and with it an audience that packed the long narrow room with one dense mass of human beings. The “California Pet” never had been so joyous, so reckless, so fascinating and audacious before. But the applause was tame and weak compared to the ironical outburst that greeted the second rising of the curtain and the entrance of the born poet of Sierra Flat. Then there was a hush of expectancy, and the poet stepped to the foot-lights and stood with his manuscript in his hand.
His face was deadly pale. Either there was some suggestion of his fate in the faces of his audience, or some mysterious instinct told him of his danger. He attempted to speak, but faltered, tottered, and staggered to the wings.