“You must get down before we raise the hill, and follow me on foot through the grain. I was thinking,” he added, turning to Mrs. Peyton, “of your boudoir window.”

She had been thinking of it, too, and nodded.

“The vine has loosened the bars,” he said.

“If it hasn't, we must squeeze through them,” she returned simply.

At the end of the terrace Clarence dismounted, and helped them from the carriage. He then gave directions to the coachmen to follow the road slowly to the corral in front of the casa, and tied his horse behind the second carriage. Then, with Mrs. Peyton and the two young girls, he plunged into the grain.

It was hot, it was dusty, their thin shoes slipped in the crumbling adobe, and the great blades caught in their crape draperies, but they uttered no complaint. Whatever ulterior thought was in their minds, they were bent only on one thing at that moment,—on entering the house at any hazard. Mrs. Peyton had lived long enough on the frontier to know the magic power of POSSESSION. Susy already was old enough to feel the acute feminine horror of the profanation of her own belongings by alien hands. Clarence, more cognizant of the whole truth than the others, was equally silent and determined; and Mary Rogers was fired with the zeal of loyalty.

Suddenly a series of blood-curdling yells broke from the direction of the corral, and they stopped. But Clarence at once recognized the well-known war-whoop imitation of Jim Hooker,—infinitely more gruesome and appalling than the genuine aboriginal challenge. A half dozen shots fired in quick succession had evidently the same friendly origin.

“Now is our time,” said Clarence eagerly. “We must run for the house.”

They had fortunately reached by this time the angle of the adobe wall of the casa, and the long afternoon shadows of the building were in their favor. They pressed forward eagerly with the sounds of Jim Hooker's sham encounter still in their ears, mingled with answering shouts of defiance from strange voices within the building towards the front.

They rapidly skirted the wall, even passing boldly before the back gateway, which seemed empty and deserted, and the next moment stood beside the narrow window of the boudoir. Clarence's surmises were correct; the iron grating was not only loose, but yielded to a vigorous wrench, the vine itself acting as a lever to pull out the rusty bars. The young man held out his hand, but Mrs. Peyton, with the sudden agility of a young girl, leaped into the window, followed by Mary and Susy. The inner casement yielded to her touch; the next moment they were within the room. Then Mrs. Peyton's flushed and triumphant face reappeared at the window.