“Hardly,” said Kane, “but there might be some objection from her gentlemen friends,” he added, with a smile,—“Jack Lane, a gambler, who keeps a faro bank in her rooms, and Jimmy O'Ryan, a prize-fighter, who is one of her 'chuckers out.'”
His further relation of Madame le Blanc's entourage apparently gave the miner no concern. He looked at Kane, nodded, and repeated slowly and appreciatively: “Yes, keeps a gamblin' and faro bank and a prize-fighter—I reckon that might be about her gait and style too. And you say she lives”—
He stopped, for at this moment a man entered the shop quickly, shut the door behind him, and turned the key in the lock. It was done so quickly that Kane instinctively felt that the man had been loitering in the vicinity and had approached from the side street. A single glance at the intruder's face and figure showed him that it was the bully of whom he had just spoken. He had seen that square, brutal face once before, confronting the police in a riot, and had not forgotten it. But today, with the flush of liquor on it, it had an impatient awkwardness and confused embarrassment that he could not account for. He did not comprehend that the genuine bully is seldom deliberate of attack, and is obliged—in common with many of the combative lower animals—to lash himself into a previous fury of provocation. This probably saved him, as perhaps some instinctive feeling that he was in no immediate danger kept him cool. He remained standing quietly behind the counter. Allen glanced around carelessly, looking at the shelves.
The silence of the two men apparently increased the ruffian's rage and embarrassment. Suddenly he leaped into the air with a whoop and clumsily executed a negro double shuffle on the floor, which jarred the glasses—yet was otherwise so singularly ineffective and void of purpose that he stopped in the midst of it and had to content himself with glaring at Kane.
“Well,” said Kane quietly, “what does all this mean? What do you want here?”
“What does it mean?” repeated the bully, finding his voice in a high falsetto, designed to imitate Kane's. “It means I'm going to play merry h-ll with this shop! It means I'm goin' to clean it out and the blank hair-cuttin' blank that keeps it. What do I want here? Well—what I want I intend to help myself to, and all h-ll can't stop me! And” (working himself to the striking point) “who the blank are you to ask me?” He sprang towards the counter, but at the same moment Allen seemed to slip almost imperceptibly and noiselessly between them, and Kane found himself confronted only by the miner's broad back.
“Hol' yer hosses, stranger,” said Allen slowly, as the ruffian suddenly collided with his impassive figure. “I'm a sick man comin' in yer for medicine. I've got somethin' wrong with my heart, and goin's on like this yer kinder sets it to thumpin'.”
“Blank you and your blank heart!” screamed the bully, turning in a fury of amazement and contempt at this impotent interruption. “Who”—but his voice stopped. Allen's powerful right arm had passed over his head and shoulders like a steel hoop, and pinioned his elbows against his sides. Held rigidly upright, he attempted to kick, but Allen's right leg here advanced, and firmly held his lower limbs against the counter that shook to his struggles and blasphemous outcries. Allen turned quietly to Kane, and, with a gesture of his unemployed arm, said confidentially:
“Would ye mind passing me down that ar Romantic Spirits of Ammonyer ye gave me last night?”
Kane caught the idea, and handed him the bottle.