Fig. 44.—Silver Plaque Dedicated to Jupiter Dolichenus (No. 133). Ht. 9½ in.
Fig. 45.—Silver Plaques Dedicated to Mithras (No. 136). 1:3.
There are several small bronze tablets in Case 105 with dedicatory or religious inscriptions. Among them may be mentioned No. 138, offered to Juno by a freedman named Q. Valerius Minander, and No. 139, an oval bronze seal with a design representing the Emperor Philip (244-9 A.D.; mentioned above, p. [10], in connection with the bronze diploma), his wife Otacilia, and their son Philip. The inscription shows that the seal belonged to the religious society of the Breisean Mystae, who apparently sealed on behalf of the city of Smyrna, where was a synod of the Mystae of the Breisean Dionysos. No. 140 is the result of a vow made by Hedone, the maid-servant of M. Crassus, to Feronia, a goddess closely connected with freedmen and freedwomen.[28] Her temple at Terracina, on the west coast of Italy, was specially associated with the manumission of slaves. It is likely, therefore, that Hedone's vow had something to do with her manumission. Dedications were made for safe journeys by land or by sea. In No. 141, dedicated by P. Blattius Creticus to Jupiter Poeninus, whose sanctuary was at the summit of the Great St. Bernard Pass, we have one of a number of offerings by travellers encountering the dangers of the Alps. In No. 142 we have a votive offering in the shape of a bronze plate, made to the Lares or gods of the house by Q. Carminius Optatus. The Lares are represented in art as youthful male figures, holding a cornucopia or horn of plenty, and a plate (patera) [see Case 52 of the Bronze Room, and No. 143]. The offering of a plate was peculiarly appropriate, for with the Penates these gods were supposed to ensure the food-supply of the family.
In Case 106 note the series of lead figurines (modelled on both sides). They represent warriors with helmet, cuirass, shield, sword, and greaves. These figurines (No. 144), probably of the seventh to sixth centuries B.C., were found at Amelia (Ameria) in Umbria. It is probable that they are of a votive character, though it has been suggested that they are the prototypes of the modern tin soldier. Very similar figurines have been discovered near Sparta, on the site of the Menelaon, and more recently on the site of the temple of Artemis Orthia by members of the British School at Athens.
Superstition and Magic.—As the simple faith in the gods decayed in the Greek and Roman worlds, compensation was largely sought in the dark rites of superstition and magic. The antiquities in Cases 105, 106, indicate some of the forms which such superstition took. Prominent among them was the practice of writing down curses on lead or talc with a view to the injury of those against whom the writer conceived that he had a grudge. These tablets were called in Latin defixiones, because they were supposed to fix down, as it were, the hated enemy. The imprecations written on them usually run in formulae, and the gods implored to work the ruin are naturally those of the nether regions. In later times especially, all manner of obscure and barbarous demons are introduced. The examples of these tablets here exhibited probably belong to the last three centuries before Christ. They come from various quarters—Knidos, Ephesus, Curium in Cyprus, Kyme in S. Italy, and Athens. Those found by Sir Charles Newton at Knidos may be taken as typical. In one case a certain Antigone, in order to clear herself from the charge of having attempted to poison Asklepiades, invokes curses upon herself if the accusation be true. In another, Artemeis devotes to Demeter, Persephone, and all the gods associated with Demeter, the person who withholds garments entrusted to him. These tablets (No. 145) appear to have been nailed to the walls of the sacred precinct of Demeter, where they were found. In the case of a tablet from Athens, the iron nail, which fastened it to the wall is still preserved.
Fig. 46.—Bronze Magic Hand (No. 148). Ht. 5¾ in.
Nails themselves were highly esteemed as instruments of magic. Ovid, for instance, says that Medea (the typical witch) made waxen effigies of absent foes, and then drove nails into the vital parts.[29] Examples of magical nails are seen in the series of bronze nails (No. 146) covered with cabalistic inscriptions and signs, and sometimes showing a strange mixture of Judaism and Paganism, as when Solomon and Artemis are invoked together. They may be attributed to the Gnostics, a sect which arose in the second century after Christ. Their claim was that, by a combination of various religious beliefs, they arrived at the only true knowledge of divine things. The magic nail has in one case (No. 147) been used to fasten a bronze lamp, decorated with a head of Medusa, into a socket.