But it fell like a thunderbolt upon Berman when Deborah’s mother sent for him.
“She has been raving for two days, and she keeps calling your name! Won’t you sit by her bedside for a while? It may calm her!”
His heart almost stopped beating when he beheld how frail and fever-worn were the features that he had loved so well. When he took her hand in his the touch burned—burned through to his heart, his brain, his soul.
“Berman will not come!” she cried. “He was kind to me, and I was so cruel. He will not come!”
Berman tried to speak, but the words stuck in his throat. Then, with that sing-song intonation of those who are delirious with brain fever, Deborah spoke—it sounded like the chanting of a dirge: “Ah, he was so cruel! What did it matter that I was a Jewess! What did it matter that he was a Christian! I never urged him, because I loved him so! He said it would ruin his career! But, oh, he could have done it! We would have been so happy! Once he made the sign of the Cross on my cheek. But I told him I would become a Christian if he wanted me to. What did I care for my religion? I cared for nothing but him! But he was so cruel! So cruel! So cruel!”
It was more than blood could stand. With a cry of anguish Berman fled from the room. In the dawn of the following day Deborah’s mother, grey and worn, came out of the tenement. She saw Berman sitting on the steps. “It is over!” she said. Berman looked at her and slowly nodded. “All over!” he said.
When Hazard awoke that morning his servant told him that a strange-looking man wished to see him in the studio. “A model,” thought Hazard. “Tell him to wait.” Berman waited. He waited an hour. Then the Oriental curtains rustled, and Hazard appeared. He had walked halfway across the room before he recognised Berman. He recognised him as the man who sat beside Deborah when he had first seen her. The man who had his arm around her waist. The man whom he had referred to as a sturdy chap—who had, indeed, looked strong and big on that starry night. And who now loomed before his eyes in gigantic proportions. He recognised him—and a sudden chill struck his heart. Berman walked toward him. Without a word, without the faintest warning, he clutched the artist by the throat, stifling every sound. The artist struggled, as a mouse struggles in the grasp of a cat. From his pocket Berman drew a penknife. He could hold his victim easily with one hand. He opened the blade with his teeth. As a man might bend a reed, Berman bent the artist’s back until his head rested upon his knee. Then, quickly, he slashed him twice across the cheek, making the sign of a cross.
“You might have married her!” he whispered, hoarsely. Then he threw the helpless figure from him and slowly walked out of the room.
The newspapers told next day, how a maniac had burst into the studio of Hazard, the distinguished young painter, and without the slightest provocation had cut him cruelly about the face. The police were on the slasher’s trail, but Hazard doubted if he could identify the man again if he saw him. “It was so unexpected,” he said. To this day he carries a curious mark on his right cheek—exactly like a cross.