You recognize the tones as those of a tiny negress slave, mayhap a dozen years of age, and as you give your name you hear a patter of bare feet on the tiles within, but if you are a male, you are left standing out in the street. In a few[page 65] moments the latch of the inner door is sedately lifted, and with measured tread you hear the slippers of your friend advancing.
"Is that So-and-so?" he asks, pausing on the other side of the door.
"It is, my Lord."
"Welcome, then."
The heavy bolt is drawn, and the door swings on its hinges during a volley and counter-volley of inquiries, congratulations, and thanks to God, accompanied by the most graceful bows, the mutual touching and kissing of finger-tips, and the placing of hands on hearts. As these exercises slacken, your host advances to the inner door, and possibly disappears through it, closing it carefully behind him. You hear his stentorian voice commanding, "Amel trek!"—"Make way!"—and this is followed by a scuffle of feet which tells you he is being obeyed. Not a female form will be in sight by the time your host returns to lead you in by the hand with a thousand welcomes, entreating you to make yourself at home.
The passage is constructed with a double turn, so that you could not look, if you would, from the roadway into the courtyard which you now enter. If one of the better-class houses, the floor will be paved with marble or glazed mosaics, and in the centre will stand a bubbling fountain. Round the sides is a colonnade supporting the first-floor landing, reached by a narrow stairway in the corner. Above is the deep-blue sky, obscured, perhaps, by the grateful shade of fig or orange boughs, or a vine on a trellis, under which the people live. The walls, if not tiled, are whitewashed, and often[page 66] beautifully decorated in plaster mauresques. In the centre of three of the four sides are huge horseshoe-arched doorways, two of which will probably be closed by cotton curtains. These suffice to ensure the strictest privacy within, as no one would dream of approaching within a couple of yards of a room with the curtain down, till leave had been asked and obtained.
You are led into the remaining room, the guest-chamber, and the curtain over the entrance is lowered. You may not now venture to rise from your seat on the mattress facing the door till the women whom you hear emerging from their retreats have been admonished to withdraw again. The long, narrow apartment, some eight feet by twenty, in which you find yourself has a double bed at each end, for it is sleeping-room and sitting-room combined, as in Barbary no distinction is known between the two. However long you may remain, you see no female face but that of the cheery slave-girl, who kisses your hand so demurely as she enters with refreshments.
Thus the husband receives his friends—perforce all males unless he be "on the spree,"—in apartments from which all women-folk are banished. Likewise the ladies of the establishment hold their festive gatherings apart. Most Moors, however, are too strict to allow much visiting among their women, especially if they be wealthy and have a good complexion, when they are very closely confined, except when allowed to visit the bath at certain hours set apart for the fair sex, or on Fridays to lay myrtle branches on the tombs of saints and departed relatives. Most of the ladies'[page 67] calls are roof-to-roof visitations, and very nimble they are in getting over the low partition walls, even dragging a ladder up and down with them if there are high ones to be crossed. The reason is that the roofs, or rather terraces, are especially reserved for women-folk, and men are not even allowed to go up except to do repairs, when the neighbouring houses are duly warned; it is illegal to have a window overlooking another's roof. David's temptation doubtless arose from his exercise of a Royal exemption from this all-prevailing custom.
But for their exceedingly substantial build, the Moorish women in the streets might pass for ghosts, for with the exception of their red Morocco slippers, their costume is white—wool-white. A long and heavy blanket of coarse homespun effectually conceals all features but the eyes, which are touched up with antimony on the lids, and are sufficiently expressive. Sometimes a wide-brimmed straw hat is jauntily clapped on; but here ends the plate of Moorish out-door fashions. In-doors all is colour, light and glitter.
In matters of colour and flowing robes the men are not far behind, and they make up abroad for what they lack at home. No garment is more artistic, and no drapery more graceful, than that in which the wealthy Moor takes his daily airing, either on foot or on mule back. Beneath a gauze-like woollen toga—relic of ancient art—glimpses of luscious hue are caught—crimson and purple; deep greens and "afternoon sun colour" (the native name for a rich orange); salmons, and pale, clear blues. A dark-blue cloak, when it is cold, negligently but[page 68] gracefully thrown across the shoulders, or a blue-green prayer-carpet folded beneath the arm, helps to set off the whole.