OUT IN THE FIELDS
The little cares that fretted me,
I lost them yesterday
Among the fields above the sea,
Among the winds at play,
Among the lowing of the herds,
The rustling of the trees,
Among the singing of the birds,
The humming of the bees.
The foolish fears of what might pass
I cast them all away
Among tile clover-scented grass,
Among the new-mown hay,
Among the hushing of the corn,
Where drowsy poppies nod,
Where ill thoughts die and good are born—
Out in the fields of God.
Unknown
[Has been erroneously attributed to Elizabeth
Barrett Browning and Louise Imogen Guiney]
ASPECTS OF THE PINES
Tall, somber, grim, against the morning sky
They rise, scarce touched by melancholy airs,
Which stir the fadeless foliage dreamfully,
As if from realms of mystical despairs.
Tall, somber, grim, they stand with dusky gleams
Brightening to gold within the woodland's core,
Beneath the gracious noontide's tranquil beams,—
But the weird winds of morning sigh no more.
A stillness, strange, divine, ineffable,
Broods round and o'er them in the wind's surcease,
And on each tinted copse and shimmering dell
Rests the mute rapture of deep hearted peace.
Last, sunset comes—the solemn joy and might
Borne from the West when cloudless day declines—
Low, flute-like breezes sweep the waves of light,
And, lifting dark green tresses of the pines,