Perhaps what gave most charm to this human side was the fact that Page was fundamentally such a scholarly man. This was the aspect which especially delighted his English friends. He preached democracy and Americanism with an emphasis that almost suggested the back-woodsman—the many ideas on these subjects that appear in his letters Page never hesitated to set forth with all due resonance at London dinner tables—yet he phrased his creed in language that was little less than literary style, and illuminated it with illustrations and a philosophy that were the product of the most exhaustive reading. "Your Ambassador has taught us something that we did not know before," an English friend remarked to an American. "That is that a man can be a democrat and a man of culture at the same time." The Greek and Latin authors had been Page's companions from the days when, as the holder of the Greek Fellowship at Johns Hopkins, he had been a favourite pupil of Basil L. Gildersleeve. British statesmen who had been trained at Balliol, in the days when Greek was the indispensable ear-mark of a gentleman, could thus meet their American associate on the most sympathetic terms. Page likewise spoke a brand of idiomatic English which immediately put him in a class by himself. He regarded words as sacred things. He used them, in his writing or in his speech, with the utmost care and discrimination; yet this did not result in a halting or stilted style; he spoke with the utmost ease, going rapidly from thought to thought, choosing invariably the one needful word, lighting up the whole with whimsicalities all his own, occasionally emphasizing a good point by looking downward and glancing over his eyeglasses, perhaps, if he knew his companion intimately, now and then giving him a monitory tap on the knee. Page, in fact, was a great and incessant talker; hardly anything delighted him more than a companionable exchange of ideas and impressions; he was seldom so busy that he would not push aside his papers for a chat; and he would talk with almost any one, on almost any subject—his secretaries, his stenographers, his office boys, and any crank who succeeded in getting by the doorman—for, in spite of his lively warnings against the breed, Page did really love cranks and took a collector's joy in uncovering new types. Page's voice was normally quiet; though he had spent all his early life in the South, the characteristic Southern accents were ordinarily not observable; yet his intonation had a certain gentleness that was probably an inheritance of his Southern breeding. Thus, when he first began talking, his words would ripple along quietly and rapidly; a characteristic pose was to sit calmly, with one knee thrown over the other, his hands folded; as his interest increased, however, he would get up, perhaps walk across the room, or stand before the fireplace, his hands behind his back; a large cigar, sometimes unlighted, at other times emitting huge clouds of smoke, would oscillate from one side of his mouth to the other; his talk would grow in earnestness, his voice grow louder, his words come faster and faster, until finally they would gush forth in a mighty torrent.
All Page's personal traits are explained by that one characteristic which tempered all others, his sense of humour. That Page was above all a serious-minded man his letters show; yet his spirits were constantly alert for the amusing, the grotesque, and the contradictory; like all men who are really serious and alive to the pathos of existence, he loved a hearty laugh, especially as he found it a relief from the gloom that filled his every waking moment in England. Page himself regarded this ability to smile as an indispensable attribute to a well-rounded life. "No man can be a gentleman," he once declared, "who does not have a sense of humour." Only he who possessed this gift, Page believed, had an imaginative insight into the failings and the virtues of his brothers; only he could have a tolerant attitude toward the stupidities of his fellows, to say nothing of his own. And humour with him assumed various shades; now it would flash in an epigram, or smile indulgently at a passing human weakness; now and then it would break out into genial mockery; occasionally it would manifest itself as sheer horse-play; and less frequently it would become sardonic or even savage. It was in this latter spirit that he once described a trio of Washington statesmen, whose influence he abhorred as, "three minds that occupy a single vacuum." He once convulsed a Scottish audience by describing the national motto of Scotland—and doing so with a broad burr in his voice that seemed almost to mark the speaker a native to the heath—as "Liber-r-ty, fra-a-ternity and f-r-r-u-gality." The policy of his country occasioned many awkward moments which, thanks to his talent for amiable raillery, he usually succeeded in rendering harmless. Not infrequently Page's fellow guests at the dinner table would think the American attitude toward Germany a not inappropriate topic for small talk. "Mr. Page," remarked an exaltedly titled lady in a conversational pause, "when is your country going to get into the war?" The more discreet members of the company gasped, but Page was not disturbed. "Please give us at least ninety days," he answered, and an exceedingly disagreeable situation was thus relieved by general laughter.
On another occasion his repudiation of this flippant spirit took a more solemn and even more effective form. The time was a few days before the United States had declared war. Bernstorff had been dismissed; events were rapidly rushing toward the great climax; yet the behaviour of the Washington Administration was still inspiring much caustic criticism. The Pages were present at one of the few dinners which they attended in the course of this crisis; certain smart and tactless guests did not seem to regard their presence as a bar to many gibes against the American policy. Page sat through it all impassive, never betraying the slightest resentment.
Presently the ladies withdrew. Page found himself sitting next to Mr. Harold Nicolson, an important official in the Foreign Office. It so happened that Mr. Nicolson and Page were the only two members of the company who were the possessors of a great secret which made ineffably silly all the chatter that had taken place during the dinner; this was that the United States had decided on war against Germany and would issue the declaration in a few days.
"Well, Mr. Nicolson," said Page, "I think that you and I will drink a glass of wine together."
The two men quietly lifted their glasses and drank the silent toast. Neither made the slightest reference to the forthcoming event. Perhaps the other men present were a little mystified, but in a few days they understood what it had meant, and also learned how effectively they had been rebuked.
"Is it any wonder," says Mr. Nicolson, telling this story, "that I think that Mr. Page is perhaps the greatest gentleman I have ever known? He has only one possible competitor for this distinction—and that is Arthur Balfour."
The English newspapers took delight in printing Page's aphorisms, and several anecdotes that came from America afforded them especial joy. One went back to the days when the Ambassador was editor of the Atlantic Monthly. A woman contributor had sent him a story; like most literary novices she believed that editors usually rejected the manuscripts of unknown writers without reading them. She therefore set a trap for Page by pasting together certain sheets. The manuscript came back promptly, and, as the prospective contributor had hoped, these sheets had not been disturbed. These particular sections had certainly not been read. The angry author triumphantly wrote to Page, explaining how she had caught him and denouncing the whole editorial tribe as humbugs. "Dear Madam," Page immediately wrote in reply, "when I break an egg at breakfast, I do not have to eat the whole of it to find out that it is bad." Page's treatment of authors, however, was by no means so acrimonious as this little note might imply. Indeed, the urbanity and consideration shown in his correspondence with writers had long been a tradition in American letters. The remark of O. Henry in this regard promises to become immortal: "Page could reject a story with a letter that was so complimentary," he said, "and make everybody feel so happy that you could take it to a bank and borrow money on it."
Another anecdote reminiscent of his editorial days was his retort to S.S. McClure, the editor of McClure's Magazine.
"Page," said Mr. McClure, "there are only three great editors in the United States."