And in the sunrise, and the noonday's rest,
And triumphs in the wild wind's meek surcease,
And in the sad soul's yearning unexpressed,
And unexpressive for perpetual peace.
But the loveliest of Lehna Singh's possessions was Moti, his daughter and only child, the fame of whose beauty had even reached Atmâ in his mountain home. Of her he had dreamt through boyhood's years, and a happy consciousness of her proximity foreshadowed the enchanted hour when he was to behold her and own that his fondest fancies were to her loveliness as darkness to noonday. Her name he had heard whispered in the gay throng of her father's guests, on the memorable first evening of his arrival there; but, strange to tell, next day, when these first hours in a palace seemed to his excited imagination a dream in which mingled in wildest confusion the glitter of diamonds, the perfume of a thousand flowers, the revel of dazzling colors, the bewildering music of unknown instruments, and the intoxication of wonder and bliss, there rang through all only one articulate voice, sounding as if from some leafy ambush amid vague laughter and murmurs of speech, saying:
"But I tell you that Rajah Lal Singh means to pluck the rose of Lehna Singh's garden!"
CHAPTER IV.
Atmâ loved to wander apart. One day he penetrated to a secluded court, whose beauty and silence charmed him more than anything he had hitherto seen. It was Moti's garden.
"High in air the fountain flung