[Drives.]—In Cannes there are great facilities for driving in carriages, light open cabs, and omnibuses. The omnibuses start for their destinations either from the east corner of the Cours (Allées de la Liberté), or from the Rue d’Antibes, near the Cours. The largest livery stables are in the Rue d’Antibes. They charge for a carriage, with coachman and two horses, per month £30. The cabmen carry their tariffs with them, and are bound to show them when required. Copies of the “Tarif des Voitures” are kept for distribution in the Kiosque on the Cours. The recognised gratuity given to coachmen is at the rate of 3 frs. for a 25 frs. fare.

Road to Vallauris.

[ THE CORNICHE OF CANNES.]

The best of the drives is to [Vallauris] by the low road to the Golfe de Jouan, 4 m. N.E., then up the valley to Vallauris, 2 m. N., and 250 ft. above the sea. From Vallauris return to Cannes, 5½ m. S.W. by the Corniche road and La Californie. Carriage and pair, 25 frs. Cab with one horse, 14 frs.; with two, 18 frs. Omnibus to Vallauris, 1 fr. By taking the omnibus to Vallauris the remainder makes a delightful and easy walk along the Corniche road. Cross the Vallauris bridge a little below Massier’s pottery, and ascend the broad road. About ½ m. from the bridge is the “Observatoire de la Corniche,” where tea and coffee can be had, and whence there is a charming view east from Cannes to Bordighera. About half-way between this and the observatory at the Cannes or S.W. end of the road is the large hotel Cannes-Eden.

The Belvédère, at the Cannes end of the road, in [La Californie], is 545 ft. above the sea, and can be approached by omnibus from the Cours, 1 fr. each. Behind it is the terminus of the branch of the canal which supplies the east part of Cannes. The terminus of the

other branch, by which the west of Cannes is supplied, is just above the Belle-Vue hotel on the road up to the Croix des Gardes. The canal commences near the source of the Siagne, a few miles from St. Cesaire.

From the Belvédère an excellent carriage-road ascends to a still higher summit, 795 ft. above the sea, or 250 ft. above the Belvédère. The view is similar, including more of the interior. A short distance N.E. from this is another summit, 804 ft. above the sea, which from the top looks as if it were nearly over Antibes.

Many prefer to commence this drive by Californie, and to return from Vallauris by the Golfe de Jouan and the low road. Opposite the Golfe de Jouan station is C. Massier’s pottery, and a few yards along the road towards Antibes is Napoleon’s column ([p. 169]).

Vallauris. Pottery. Mines.

[Vallauris], pop. 4000, is a poor village, with small cafés and restaurants. The omnibus stops in the “Place” opposite the church and the Hôtel de Ville, containing a large flat stone bearing an inscription, stating that “the Emperor Tiberius remade the road it refers to in the 32d year of his tribunician authority.” Also a column, 4 ft. high and 14 inches in diameter, bearing an inscription to Constantine. Vallauris has long been famous for the manufacture of [kitchen pottery], “Potteries Réfractaires,” earthenware utensils, principally of the “marmite” or stewpan class, capable of bearing great heat without cracking. A dozen marmites, in assorted sizes, are sold for 2 frs. To this the Massiers and others have added the manufacture of artistic pottery, of which there is a good display, both in the showrooms in the village and in those down at the Golfe de Jouan. Several of the clay-beds may be seen by the side of the road leading up northwards from Vallauris; but the best and richest strata, all of the Pleiocene period, are in that valley near the spot where this road meets the road to Antibes. About 220 yards beyond this meeting-place a cut-up road ramifies, left, into the valley containing the [clay-mines]. The entrances into them are covered with roofing. Any one may descend into them. The colours of the clay are blue, red, black, and gray, all in various shades. The most valuable is the blue. Most of the common articles are made of a mixture of all the clays. Red clay from Estaque, near Marseilles, is also used in the making of artistic pottery.