Near the harbour, and above the Quai Lunel, is the statue of King Charles Felix. In the Rue du Murier, leading down from the Rue Segurane to the Port, is the mulberry tree where Caterina Segurana had her tent. On the 15th of August 1543 she, at the head of a devoted band, attacked the allied French and Turkish forces commanded by François de Bourbon and the Turk Barbarossa, struck down with her own hand the standard-bearer, and put the enemy to flight. Giuseppe Garibaldi was born, 19th July 1807, in a house which stood at the head of the Port before its enlargement. In a small street, ramifying from the Rue Segurane, is the church of St. Augustin, in which Luther preached in 1510. At the east end of the R. de la Préfecture, last street left, No. 15 R. Droite, is the Palais des Lascaris, with ceilings painted in fresco by Carlone. It is now the “École Professionnelle.” This is also the street of the jewellers patronised by the peasantry. Paganini died (1840) in the house No. 14 R. de la Préfecture. The jambs and lintels of the doorway are slightly decorated. The Cathedral and the other churches in the old town are in the Italian style, ornamented with gilding and variously-coloured marbles. The new church, Notre Dame, in the Avenue de la Gare, is Gothic in style. The first non-Romanist church erected in Nice was the Episcopal chapel of the Trinity in 1822. As it became too small, the present church was built on the same site in 1856 at a cost of £6000. To the N.W. of the railway station, by the Chemin St. Etienne, in an orange grove, is the [ Nice: Memorial Chapel.] Russian Memorial Chapel, a series of ascending domes, built over the spot on which stood the villa in which the Prince Imperial of Russia died, April 24, 1865. The interior is covered with designs in gold leaf, varied here and there by a light-blue ground. Round the base runs a white marble panelling, enclosing frescoes of saints in niches.
The principal thoroughfares in Nice are the Place Massena and the handsome broad street the “Avenue de la Gare,” extending in a straight line northward from the “Place” to the station. Next in importance are the Quais Massena and St. Jean Baptiste. In the above are all the best shops. The Rue Massena, and its continuation the Rue de France, behind the Promenade des Anglais, contain shops principally of the provision kind, British stores, grocers, wine merchants, confectioners,
and dressmakers. At the east end of the [Rue de France] is the Croix de Marbre, a marble crucifix under a canopy on four marble columns, erected in 1568 to commemorate the visit of Charles V., Francis I., and Paul III. in 1538, and the partial reconciliation of the two potentates through the intervention of the Pope. The column opposite commemorates the visits of Pio VII. in 1809 and in February 1814. Near this is Trinity Church, and in the Rue Gioffredo the Temple Évangélique, the second Protestant church built in Nice.
On the arched part of the Paillon, fronting the Quai St. Jean, is the large and handsome Casino, and a little farther up the river the pretty public garden called the Square Massena, with a statue in the centre, in an animated posture, of André Massena, Prince of Essling and Marshal of France, who was born on May 7, 1758, in a house now demolished, which stood on the Quai St. Jean Baptiste. In 1810 he was chosen by Napoleon to stop the advance of Wellington in Portugal, and was commissioned “to drive the English and their Sepoy general into the sea.” But the wary strategy and imperturbable firmness of the British general proved resistless, and Massena was compelled to save his military fame by a masterly retreat. On the pedestal Clio is seen writing his name in the chronicles of his native city. This garden forms a pleasant lounge, but it is not so fashionable as the other farther down, at the mouth of the river, called the “Jardin Public,” planted with magnolias, acacias, Japan medlars, and gum, cork, camphor, and pepper trees. The band plays here in the afternoon. The most beautiful of the public gardens is on the Castlehill, intersected by footpaths and carriage-roads up to the summit. On one side of the hill is the public cemetery.
Cimiès.
All the side streets which ramify eastward from the Avenue de la Gare lead to the Quartier Carabacel, one of the most sheltered parts of Nice, and inhabited by the most delicate invalids. Above it, about 2 m. distant, or 3 from the Place Massena, is [Cimiès] (430 ft. above the sea), another favoured spot, frequented principally by nervous invalids requiring a sedative climate. On the top of this hill stood the Roman city Cemenelium, of which all that remains are the ruins of an amphitheatre 210 ft. long by 175 wide. Just under the Boulevard Prince de Galles are artistic ruins composed of ancient material gathered in this neighbourhood. They stand in the spacious grounds of the superb villa Val Rose, which in shape resembles Noe’s ark. Entrance from behind G. H. Windsor. The first road right from the theatre leads to a Franciscan convent built in 1543 on the site of a temple of Diana.
The altar-pieces of the two chapels to the right of the altar were painted by Ludovico Brea, a contemporary of Raphael, and the only artist of eminence Nice has produced. The cemetery contains some beautiful tombstones. In the centre of the “Place,” on a spiral marble column, is a crucifix with a winged J. C. Above is a pelican feeding its young, a favourite Christian symbol of charity during the Middle Ages.
A path in the corner of the “Place” leads down to [St. Pons] (p. 179).