GALERIE DE DIANE or Bibliothèque, built in 1600. The ceiling, divided into compartments, is painted by Pujol and Blondel, representing mythological scenes. In front of one of the windows are suspended the sword and coat of mail worn by Monaldeschi, when he was assassinated on the 15th of October 1657 by order of Christina of Sweden, second daughter of Gustavus Adolphus. The atrocious deed took place in the room immediately below, in the Galerie des Cerfs. The unfortunate man, in parrying the first thrust, had 3 of his fingers cut off. He then fell on his knees before his confessor Father Le Bel, sent him by Christina, and, while praying God for pardon of his sins, one of the murderers thrust his sword into his face; while the other first cut off the crown of his skull, and then pierced his throat, which made him fall to the ground, where he lay breathing for quarter of an hour. Throughout all this terrible scene the kind priest kept bawling aloud with all his might consolation to the dying man. That same evening he was buried, near the holy water basin, in the church of Avon, 1 m. E. from the chateau, at the extremity of the park. Monaldeschi was Queen Christina’s chamberlain, and is supposed to have betrayed some of her secrets. The Marquis begged most piteously Father Le Bel to implore the Queen to spare his life; but when the confessor went to her and beseeched her, in the name of Our Blessed Lord, to have mercy on the unhappy man, she replied with petulance, “that she could not, and that many had been condemned to the wheel who did not deserve it so much as this coward.”
At the extremity of the gallery of Diana is the Salon de Diane, with indifferent modern paintings by Blondel, representing the story of the goddess Diana.
We now enter the Escalier de la Reine, ornamented with hunting scenes by C. Parocel, 1688-1782; Oudry, 1686-1755; and F. Desportes, 1661-1743. The door to the left opens into the Galerie des Chasses, not shown (see page 8). The other leads into
Fontainebleau: Salons de Francois I., Louis XIII., St. Louis. Salon Des Gardes.
[LES GRANDS APPARTEMENTS.] The Antechamber. Ceiling of pinewood in gilt compartments. Walls hung with ancient Gobelins tapestry. Salon des Tapisseries hung with beautiful tapestry, representing the loves of Psyche. Sevres porcelain vase worth £600, gift to the Empress Eugenie. Salon de François I. Napoleon I. and Charles X. used it as their dining-room. Louis Philippe restored the ceiling. The Flemish tapestry represents royal hunting scenes. In the centre of chimney-piece fresco by Primaticcio, Mars and Venus. The ebony cabinets are of the 15 and 16 cents. Furniture covered with very remarkable Beauvais tapestry. Salon de Louis XIII. The small Venetian looking-glass, one of the earliest manufactured, and the first that came to France, indicates the place where the bed of Marie de
Médicis stood when Louis XIII. was born. The paintings on the ceiling and on the walls represent the story of Theagenes and Charicles, which had been translated from the Greek by Jacques Amyot, and dedicated to Francis I. Beautiful marble chimney-piece. Salle de Saint Louis. Over chimney-piece equestrian statue in relief of Henri IV. by Jacquet. Salon des Aides-de-Camp. Portraits in Gobelins tapestry of Henri IV. and Louis XV., 1773-1777. Salle des Gardes, principally by Charles IX., but restored by Louis Philippe. In the medallions above the five real and mock doors are portraits of Francis I., with the allegorical figures of Might and the Fine Arts; Henri II., with figures of Diana and Liberality; Antoine Bourbon (father of Henri IV.), with figures of Hope and Abundance; Henri IV., with figures of Peace and Glory; and Louis XIII., with figures of Religion and Justice. Beautiful chimney-piece by Jacquet, 1590, 17 ft. high and 13 wide. In centre bust of Henri IV., and at each side statues of Might and Peace by Francarville. A very pretty little room, with floor of inlaid wood, corresponding in design with the ceiling, leads to the
ESCALIER DU ROI. The top part of this staircase, built by Louis XV., was originally the Chambre de la Duchesse d’Etampes. The frescoes, representing scenes in the life of Alexander, are chiefly by Niccolo dell’ Abate, indifferently restored in 1836 by Abel Pujol.
GALERIE DE HENRI II., or Salle des Fêtes. The most magnificent hall in the palace, shining with gold, 90 ft. long by 30 wide, lighted on one side by 5 windows looking into the Cour Ovale, and on the other by the same number looking to the gardens. It was built by François I., and decorated by Henri II. for his favourite Diane de Poitiers. The walls are covered with frescoes between gilt coupled columns by Primaticcio, Rosso, and Abate, restored in 1864 by Alaux. The ceiling, of walnut, is divided into 27 compartments, elaborately ornamented with scrolls, mouldings, and friezes, all richly gilt, and enclosing the ciphers of Henri II. and of Diana. The chimney-piece, of rare marbles, covered with fleurs-de-lis, is by Rondelet. At the end of this gallery is one of the entrances into the chapel of St. Saturnin, generally closed (see page 8). We return now to the Escalier du Roi, where we enter the
GALERIE DE FRANÇOIS I., parallel to the apartments of Napoleon, 210 ft. long by 20 wide. It was built by Francis to serve as a communication between the Courts of the Cheval Blanc and of St. Louis. Ceiling in variously shaped gilt panels, producing a curious effect. The frescoes, representing mythological scenes, are chiefly by Rosso, but a few are by Primaticcio, restored by Condere. Bust of François I. From the vestibule of the Horseshoe staircase we enter the
APPARTEMENTS DES REINES MERES et du Pape Pie VII. They were inhabited by Catherine de Médicis and Anne of Austria (mother of Louis XIV.), whose portraits hang opposite each other in the bedroom; and also by Pope Pius VII., more, however, as a prisoner than a guest of Napoleon I. The magnificent bedstead was put up by Napoleon III. for Queen Victoria and Prince Albert, when they were expected to have visited Fontainebleau. The tapestry is of the finest