The South of France—East Half

by C. B. Black

PARIS
MARSEILLES 107½ 429½ [SAINT FLORENTIN], pop. 3000. Inns: At station, H. de la Gare. In town, H. Porte Dilo. Pilgrims to Pontigny alight here, whence a coach starts in the afternoon for Chablis and Ligny, passing within a mile of Pontigny. There is a small inn at the part where the Pontigny road separates from the Chablis road.

Saint Florentin is on an eminence more than a mile from the station. The parish church, 12th to 15th cents., is small, but interesting. The windows contain 15th and 16th cent. glass, repaired with modern pieces. The sanctuary is surrounded by a screen composed of slender colonnettes standing diagonally, and is shut off from the nave by a beautiful rood-loft. Behind the high altar, which is elaborately sculptured, is a relief, 1548, sadly mutilated, representing the death and resurrection of Jesus Christ.

At [Pontigny] there is a small but comfortable inn, the Hôtel St. Éloi, but pilgrims to the shrine of St. Edmund are generally lodged in the abbey buildings. From Pontigny a coach runs every other day to Auxerre, 13 m. S.W., stopping at a café near the station. The greater part of the church of Pontigny was built in 1150. It is a plain vast edifice with narthex and round turret at main entrance. The interior, which is grand and imposing, is 355 ft. from W. to E., 72 ft.

wide, and 72 high, and is upheld by 30 arches springing from lofty massive piers. There are 11 chapels in the choir, but none in the nave. A row of small round-headed windows extends round the church below the arches, and another, exactly similar, above them. In a shrine, 18th cent., behind the high altar are the bones of St. Edmund, Archbishop of Canterbury, who died in 1243 at a village in the neighbourhood. The original shrine, a plain wooden coffin, is upstairs in the cloister. The view of the interior of the building is spoilt by an ugly screen, rendered necessary to shut off the sanctuary from the rest of the church to make it more comfortable for the villagers, whose parish church it has now become. The abbey buildings, of which parts still remain in good condition, were inhabited by Becket. In the treasury is the black strip of a stole he used to wear, sewed on to another stole. Also relics of St. Edmund, and curious deeds connected with him and others, who had retired to this, then an austere Cistercian monastery. The walls of the cloister are hung with engravings representing scenes in the life of St. Edmund.

Becket arrived at this abbey on the 29th of November 1164, and remained till Easter 1166. From Pontigny he went to Vezelay, and from Vezelay to Sens.

Tonnerre.

PARIS
MARSEILLES 123 414 [TONNERRE], pop. 6000, on the Armançon. Inns: Lion d’Or; Courriers—both near each other. The street St. Pierre, to the left of the Lion d’Or, leads past the church of Notre Dame (now condemned) up to the cemetery, and to the church of St. Pierre, situated on a terrace right above the town. At the foot of this hill is a beautiful spring of water, enclosed in a circular basin about 40 feet in diameter, called the Fosse Dionne; but it is in a dirty part of the town, and used by the washerwomen. A straight street to the right of the Lion d’Or leads down to the hospital, built in 1834, the original part of which, built by Marguerite de Bourgogne in 1293, is now the church of the hospital. Her remains repose under a beautiful mausoleum in front of the high altar (died September 4, 1308). To the left is the mausoleum of the Marquis de Louvois (died 1691). The arrondissement of Tonnerre produces some excellent wine.

Tanlay.

PARIS
MARSEILLES 127½ 409½ [TANLAY], pop. 1000, on the Armançon. A small village with a handsome castle in an extensive park. The oldest part was built by Guillaume de Montmorenci, in 1520, but by far the largest portion by a brother of Admiral Coligny, in 1559. The vast façade is flanked by two wings. The principal court is 79 feet by 36. In a

room in the second story of the Tour de la Ligue the leaders of the Protestant party used to meet under the presidency of Admiral Coligny. A fresco on the ceiling represents, under the disguise of the gods of Olympus, the persons who took the most prominent part in the political and religious events of that period. Catherine de Médicis is portrayed as Juno, Charles IX. as Pluto, and the Condé as Mars. Round the room are a series of curiously-constructed recesses, communicating with each other in the walls. The largest of the splendid chimney-pieces is 12½ feet high by 7 wide. Beyond the grounds are the ruins of the abbey of de Quincy, and the well of St. Gaultier, both of the 13th cent. At this station is a coach for Cruzy-le-Chatel, pop. 1000, time 1 hour 45 minutes, among forests, and famous for truffles.