The South of France—East Half

by C. B. Black

Prussia, who claimed to be nearer of kin, and to have been appointed by the will of Frederick-Henry. Thereupon Louis XIV. declared the principality a forfeited fief of the French crown, and assigned it to the Prince of Conti. The Parliament of Paris decided that this last prince should have the dominium utile; and its finding was confirmed by the treaty of Utrecht (1713), which, however, left the title and coat of arms to the King of Prussia, who is still styled Prince of Orange (Prinz von Oranien). John William Friso, however, also took the title, and his successors the stadtholders and kings of the Netherlands have all been designated princes of Orange-Nassau. Vast numbers of silkworms are reared at Orange. Coach daily to [Valréas] 22 m. E., p. 49, and to Vaison 17½ m. N.E. (Map [p. 56].)

Vaison. St. Quenin.

[Vaison], pop. 3400. Inn: H. du Commerce. 5 m. N. from Malaucene, 17½ m. N. from Carpentras, 11¼ m. S. from Nyons, 13½ m. W. from Le Buis, and 4 m. S. from Villedieu. Old or high Vaison is on the left side of the Ouvèze, and new Vaison on the right. Both are connected by a Roman bridge of one arch of 48 ft. span, having at the left side a more elongated curve than at the right. The old town, with its squalid streets and poor houses, covers the sides of a hill crowned with the ruins of a castle built by Raymond VI., Count of Toulouse, in 1195. It is a plain rectangular edifice, 20 yards square, with a small square tower at one of the angles. A little below is the parish church with round and early pointed arches and square tower at S.E. end. The view from the terrace is beautiful.

The most ancient and most interesting buildings are in new Vaison, and very near each other. Take the Villedieu road to just without the town, where a byeway on the right leaves the main road at an acute angle. Continue this byeway to two arches, which indicate the site of the Roman theatre. The chapel seen to the N.W. is [St. Quenin], while a little beyond is the cathedral. The amphitheatre, or “les arènes” as they call it, is built on the same plan, and in a similar position, as the theatre of Orange, but far less perfect. Besides the two arches, there exist still five tiers, but all the stone seats are gone, excepting those on the lowest stage. Now it has become a vineyard and an orchard. Beyond, by a narrow road, is St. Quenin, of which the east end is Roman, and may date from the 4th cent., but the rest belongs to the 10th. The east end, or apsidal termination, is in the form of an equilateral triangle, with an attached fluted Corinthian column at the apex, and also at each of the angles of the base. One of the pillars has figures on the capital. The neat little round-headed window on each side of the triangle is evidently a later addition. Bishop Quenin died in 578.

Of the Cathedral the best part is also the outside. Under the eaves of the roof of the nave run a dentil moulding, and a frieze of medallions connected by an undulating line of foliage. The walls are pierced by small round-headed windows resting on spiral colonnettes.

The frieze of the aisles is plainer. In the interior, early pointed arches of great span, rising from four massive piers of clustered pilasters on each side of the nave, support a narrow-vaulted roof, also pointed. This part of the church dates from the 12th or 13th cent.; but the chancel, with its two Roman pillars, and arcade of blank arches on colonnettes, is much earlier. Over the little chapel, at the N.E. side, rises an elegant square tower. Next the tower is a very beautiful cloister, 11th cent., bearing some resemblance to the cloister of St. Michel in Brittany. It is 22 yards square, surrounded by an arcade of 13 arches on colonnettes in couples 3½ ft. high. At the corners is either a massive stone pier, or the stone hewn into 5 colonnettes. All the Roman antiquities Vaison has retained for itself are under this corridor. The most perfect piece of sculpture is a skull. On the top of the hill opposite the castle stands an image of the “Immaculée” on the capital and part of the shaft of a Roman column. (Map [p. 56].)

Sorgues. Carpentras.

PARIS
MARSEILLES 455 82 [SORGUES], pop. 4000, on the Sorgues, which rises at Vaucluse. Junction with line to Carpentras, 10½ m. eastwards. [Carpentras], pop. 10,500, on an eminence surrounded by avenues, rising from the Auzon. Hotels: Universe; Orient, both good, and in the large “Place” opposite, the Hôtel-Dieu, built in 1760 by Bishop Malachie. In the Hôtel-Dieu are a portrait by Rigaud of the Abbot Rancé, and a handsome staircase. In the centre of the Place is a bronze statue of the benevolent Malachie d’Inguimbert. From this “Place,” up the narrow street, the first public building is the church of St. Siffrein, dating from 1405. The square tower, with octangular cupola, attached to the north side of the chancel, was part of a former church constructed in the time of Charlemagne. The stair (89 steps) up to the roof, whence there is a pleasing view, commences at the south side of the chancel, outside. Among the pictures in the interior of the church, the best is a “Salutation” by the Flemish painter Andreas Schoonjans. Behind the pulpit is a picture by Mignard representing Mary giving some of her milk to St. Bernard. At the commencement of the chancel, near the cupola, is the chapel in which the reliquaries are kept. Among them are the skull and bones of St Siffrein, and the nail that pierced the right hand of J. C. on the Cross. In the chancel is a “Coronation” of Mary painted on wood, 15th cent., and behind the altar another “Coronation” by P. Veronese. In the foreground are Saints Laurence and Siffrein. Adjoining is the Palais de Justice, 1640, with frescoes and a crucifix in the “salle des assises.” Within the court, right hand, is a Triumphal arch, erected by Diocletian between 284 and 305, 30 ft. high (but originally higher), 25½ ft. wide, 14½ ft deep, and 10 ft. span. On the N. side, between two attached fluted columns, is, in bold relief, a Latin cross with the arms at obtuse angles. On each side stands a prisoner, with his hands behind him, chained loosely to the cross. From the cross are suspended swords, horns, and pouches. On the south side is a similar cross, but not in

such a good state of preservation. The main beam resembles more the stem of a tree. From the top hangs the dress of a warrior.

The continuation of the street from the church leads to the Porte d’Orange, surmounted by a square tower 120 ft. high, of which only three sides exist. It was built by Innocent VI., who also surrounded the town with the ramparts, which now form beautiful Boulevards. From the boulevard in front of the gate are seen to the left the canal aqueduct, to the right the town water aqueduct, and in the distance, between the two, beyond a smaller ridge, Mont Ventoux, extending from N.W. to S.E., with a slight bend. The aqueduct which brings water to Carpentras crosses the valley of the Auzon by 48 massive arches. The canal, which by irrigation fertilises the surrounding country, extends from the Durance to the Ouvèze, a distance of 43 miles, and cost £90,000. In the principal Boulevard, nearly opposite the manufactory of preserved fruits of Eysseric, is the building containing the library and museum. The library contains a valuable collection of manuscripts, explained in a printed 4to volume, several rare incunables, and above 4000 vols., for which there is not sufficient accommodation. [ Carpentras: Museum.] In the “Musée” are a few good pictures, and Roman statuettes in bronze and marble, all from Vaison, excepting a small Apollo found at Carpentras. The gem of the antiquities is an Egyptian-Aramaic limestone slab, 4th or 3d cent. B.C., 19¼ in. long by 13½ wide and 1 thick, divided into three compartments by narrow borders. In the principal compartment stands a young woman with uplifted hands before Osiris, who is seated in front of a table on which are sacrifices. Behind Osiris stands Isis. Below, in the second compartment, is the embalmed body of the deceased, attended by the jackal-headed Anubis and the hawk-headed Horus. Below the body are the four customary funeral vases. Below this, in the third compartment, is an Aramaic inscription in four lines, of which the last two are injured. The first French opera was written in Carpentras by the Abbot Mailly in 1646. [ Truffles.] Truffles or tuberous mushrooms are black, dark gray, violet-coloured, or white. The last variety, principally found in the N. of Italy, has the smell of garlic. About Carpentras, and in the department of Vaucluse, they are black, and are found from 4 inches to 1 foot below the ground, at the extremities of the fibrous roots, both of the common and of the evergreen oak. The season for gathering them is from November to the end of March, after which those which remain become soft and decompose. They are at their best in January, when the rind is black, hard, and rough, and the inside mottled black and white. In size and shape the best resemble small round potatoes, of which the largest may weigh ½ lb., although few are of that size. They are sought by means of dogs and swine, both of a peculiar breed; the sow being the more dexterous of the two, and continues efficient for its duty for upwards of 21 years. It scoops out the earth with its powerful snout in a masterly manner faster than any dog can do. When just about to seize the truffle, the attendant thrusts a stick between its jaws, picks up the truffle himself, and throws to the sow instead two