Hilaire Belloc, the man and his work

by C. Creighton Mandell; Edward Shanks

You have the great Gallo-Roman noble family of Ferreolus running down the centuries from the Decline of the Empire to the climax of Charlemagne. Many of those names stand for some most powerful individuality, yet all we have is a formula, a lineage, with symbols and names in the place of living beings.... The men of that time did not even think to tell us that there was such a thing as a family tradition, nor did it seem important to them to establish its Roman origin and its long succession in power.

Mr. Belloc has endeavoured to see the reality of such a family, as he believes, as that from which Charlemagne sprung. He fights, paradoxically, for the unity of history against Freeman, who invented that phrase and who yet thought that "Charles the Great" came from a line of German savages.

He has endeavoured passionately to realize this thing; it would be pathetic, were not his desire so triumphantly gratified. Observe the ease and sincerity of that long passage quoted above. One forcing of the note, one moment's wish to show too great a scholarship or to emphasize the antiquity of the scene, would have ruined the effect. It is full of emotion, the most poignant, the regret for passing and irrevocable things, but the author is detached and cool. He is all bent on the fidelity of his picture.

The Girondin is very much a different matter and occupies a place in Mr. Belloc's work difficult to discuss. It is frankly a novel, written as novels are, to entertain, to edify and to perform the spiritual functions of poetry and good literature. It is also unique in that it contains a story of love, a motive largely absent from Mr. Belloc's imaginative writing.

In so far as it is an historical novel, we may expect to find in it, and we do find in it, an accurate and living picture of one aspect of the age in which it is set. It should not surprise us to find this an unusual aspect; it is unusual. There are here none of the customary decorations, no guillotine, no knitting women, no sea-green and malignant Robespierre, no gently nurtured and heroic aristocrats. The progress of the story does not touch even the fringes of Paris. The hero is an inhabitant of the Gironde and not a member of the party which bore that name.

The action moves from a town in the Gironde to the frontiers. The hero is killed by an accident with a gun-team soon after the Battle of Valmy. That is the unfamiliar aspect of the hackneyed French Revolution with which Mr. Belloc here chooses to deal: an aspect, we might even say, not merely unfamiliar, but practically unknown to the English reader.

The matter of raising the armies was a matter of prime importance to the Republic, and involved a task which even we, in this country, with all our recent experiences, can hardly comprehend. The officers had deserted, the men were not all to be trusted, all told there were not enough for the pressing necessities of the State. A corps of officers had to be improvised from nowhere, recruits had to be taught to ride as they went to meet the Prussians. Such were the beginnings of the army that afterwards visited the Pyramids, Vienna, Berlin and Moscow.

All this Mr. Belloc has shown with sufficient vividness in isolated passages. Even those who have played no part in the raising of the new armies of England, can gain from his descriptions something of what that business must have been. But in this book he is not merely writing a sketch to visualize the past, he is writing a real story with a number of living characters and a sort of a plot. And in some way the story and the historical matter weaken one another. They go and come by turns. The whole book is an irregular succession of detached incidents. The witty Boutroux is a sport of chance and dies, fitly enough, not in action, but by a mishap.

If we separate from the rest the incident of the girl Joyeuse, it is extremely beautiful. Take by themselves the stratagems and the conversations of Boutroux: they are extremely witty. Take by themselves the military scenes: they are impressive. But these do not make the book a whole or leave the impression that the author knew from chapter to chapter what he was going to write next.

Frankly, then, The Girondin is a disappointment, but, perhaps, only because it held such possibilities and because we had reason to anticipate that Mr. Belloc would surprise us with these possibilities. His great historical novel is yet to come.