A practical treatise on the manufacture of perfumery

by C. Deite

"Palleat omnis amans; hic est

color aptus amanti."—(Ovid.)

For black paints for the eyebrows roasted ant eggs or soot were used.

The Roman ladies paid as much attention to their natural, and also false, hair as the fair ones of to-day. They curled their hair with heated iron instruments, and perfumed them with fragrant oil. If from age, sorrow, or other reasons, the hair was no longer black, it was dyed, and it seems that a considerable number of hair-dyes were known in Rome, amongst them some which are still employed to-day, such as green nutshells and acetate of lead.

After the Romans had seen the blonde German maidens, blonde and red hair became the fashion. To dye the hair blonde sharp alkaline soaps were chiefly used. However, this or some other hair-dye seems to have been very injurious, as it caused the hair to come out. The satirists ridiculed this as well as the wigs, which were worn by men and women to hide baldness, or on account of the color which could not be attained by dyes.

Depilatories were also known to the Romans, the agents employed being called psilothrum and dropax. They were of vegetable origin, but it is not exactly known from which plants they were derived.

For cleaning the teeth the Roman ladies used a dentifrice which does not seem very inviting to us. It consisted of a urine imported from Spain (dens hiberna defricatus urina). To perfume the breath or to hide its bad odor, mouth-washes, perfumed with saffron, roses, etc., were used, or myrrh, mastic from Chios or perfumed pastilles were chewed.

We know but little regarding the use of perfumeries and cosmetics in the Middle Ages. In the wars during the migrations of the nations, but little thought was very likely given to them, but as soon as the nations became again settled and made sufficient progress in culture, the taste for perfumes and other pleasures of life no doubt returned. Our knowledge in this respect is limited to what is contained in the works of physicians of the first centuries. Later on we find receipts for cosmetics in the writings of Arabian physicians, such as Rhazes (end of the 9th to the commencement of the 10th century), Avicenna (end of the 10th to the commencement of the 11th century), and Mesuë (11th century). To the 11th century also belong the works of the celebrated Trotula, "De mulierum passionibus," "Practica Trotulae mulieris Salernitanae de curis mulierum," and "Trotula in utilitatem mulierum," all of which contain receipts for cosmetics. In the 14th century the most celebrated surgeon of the Middle Ages, Guy de Chanlios, did not consider it beneath his dignity to devote a section of his "Grande Chirurgie" to cosmetics. However, it was only in the 16th century that perfumes and cosmetics came again into prominent notice in Italy, which at that time was the country of luxury and art. Giovanni Marinello,[2] a physician, in 1562 wrote a work on "Cosmetics for Ladies," which he dedicated to the ladies Victoria and Isabella Palavicini. In the preface the author expresses the opinion that it is only right and pleasing to God to place the gifts bestowed by him in a proper light and to heighten them. He then proceeds to give perfumes for various purposes, aromatic baths to keep the skin young and fresh, means for increasing the stoutness of the entire body and of separate limbs, and others for reducing them. He further recommends certain remedies for making large eyes small, and small ones large. The chapter on the hair is very fully treated. To prevent the hair from coming out, rubbing with oil, and then washing with sorrel and myrobalan is recommended. For promoting the growth of the hair, the use of dried frogs, lizards, etc., rubbed to a powder, is prescribed. Means for making the hair long and soft and curly are also given, and others recommended for eyebrows and eyelashes. As depilatories lime and orpiment are prescribed. Paints are also classed among general cosmetics. Their use became at this time more and more fashionable, and not only the face, but also the breast and neck were painted.

Catherine of Medici and Margaret of Valois introduced these arts of the toilet into France. That country soon became the leader in this respect, and for many years the greatest luxury in perfumes and cosmetics prevailed there. The golden age for these articles lasted from the commencement of the seventeenth to the middle of the eighteenth century, during which time the mouche or beauty patch also flourished. "There were at that time hundreds of pastes, essences, cosmetics, a white balsam, a water to make the face red, another to make a coarse complexion delicate, one to preserve the fine complexion of lean persons and again one to make the face like that of a twenty-year old girl, an Eau pour nourir et laver les teints corrodés and Eau de chair admirable pour teints jaunes et bilieux, etc. Then there were Mouchoirs de Venus, further bands impregnated with wax to cleanse and smooth the forehead; gold leaf was even heated in a lemon over a fire in order to obtain a means which should impart to the face a supernatural brightness. For the hair, teeth and nails there were innumerable receipts, ointments, etc. However, of special importance were the paints, chemical white, blue for the veins, but, chief of all, the red or rouge, mineral, vegetable, or cochineal. The application of rouge was at that time no small affair, it was not only to be rouged, but the rouge had also to express something—Le grand point est d'avoir un rouge qui dise quelque chose. The rouge had to characterize its wearer; a lady of rank did not wear the rouge like a lady of the court, and the rouge of the wife of the bourgeois was not like either of them nor like that of the courtesan. At court a more intense rouge was worn, the intensity of which was still increased on the day of presentation, it being then Rouge d'Espagne and Rouge de Portugal en tasse. It may seem incredible, but for eight days a violet paint was used and then for a change Rouge de Serkis. Ladies, when retiring for the night applied a light rouge (un demi rouge), and even small girls wore rouge, such being the decree of fashion. The ladies dyed their eyebrows and eyelashes, and powdered their hair, both natural and false, for, about 1750, they commenced wearing wigs and chignons. Powdering was done partially for the purpose of dying the hair after dressing, and partially for decoration; white, gray, red and fiery red powders were in vogue."

To that time fashion also ordained an ever-varying routine in the employment of perfumes; so that the royal apartments were one day fragrant with the scent of the tuberose and the next with that of amber and cloves; and so on consecutively, each succeeding day bringing a change of the reigning odor. In that luxurious age the personal use of perfumes was not confined to the fair sex, but the effeminate gallants of the day gloried in perfuming themselves with the favorite scents of their mistresses or of prominent belles; so that the allegiance was recognized, not as in more chivalrous times by the knight wearing the colors of the fair one who had enslaved him, but by his smelling of the particular odor which she had consecrated to herself.