These, allow me to say, were Margaret's reflections; it does not, therefore, follow that they were absolutely correct. Women have a trick of rushing to conclusions. A man weighs and balances, sets this quality against that, thinks out the effect of one upon the other, and in many cases comes to a conclusion slowly and with difficulty. It is well. He is not so often deceived. A woman has generally a preconceived idea, a prejudice for or against. This being so, it is more than natural that some expression of countenance, some tone of voice, some trick of manner, should fall in with her preformed judgment, and cause, in the shortest time imaginable, a conclusion which scarcely anything will shake. She believes even against proof self-evident to the rest of the world. This, no doubt, is partly the reason why helpless, lonely women are so often cheated and robbed.

Margaret was in this position. I do not mean to say that she had been cheated and robbed. Her position was that of full confidence in the man who transacted her business. She had thought of him as a friend: she had found him frank and honest, no suspicion of the legal rogue in his face or manner. Therefore she came to this conclusion: Mr. Robinson was her friend, he looked after her interests very carefully, he would set her affairs right if any one could. This being so, what mattered a little want of polish? She could very well afford to dispense with it.

"Thank you," she said as Mr. Robinson handed her the cheque; "I cannot deny that this will be of present assistance to me."

Mr. Robinson then rose in his turn, shook his fair client's hand with perhaps more than necessary empressement, and escorted her to the door.


[CHAPTER VI.]

THE YOUNG HEIR.

But the ground
Of all great thoughts is sadness.

Arthur Forrest was certainly developing a taste for art—not at all a bad taste, his friends said one to the other, for a young man who had amply sufficient to live upon. It would fill up his time, keep him from the dangers of idleness, give him, in fact, something to think about. For art could easily be pursued in a most gentlemanlike manner. A person who fills the position, not of an artist indeed, but of an intelligent patron of the fine arts, is not only a useful member of society, but one who is held in some estimation by the world.