Alhambra, tiles and vase, [14], [75]
” vase, copy, [77]
Altar pieces, ascribed to Giorgio, [114]
Amatorii pieces, [64]
Anatolian wares, [71]
Andreoli, maestro Giorgio, [29], [36], [42], [114]
” his use of the ruby tint, [118]
” distinctions of his works, [118], [119]
” first dated piece, [120]
” ” and signed, [121]
” characteristics, [122]
Arabic inscriptions, [16]
Babylonian pottery, [5]
Bacini, at Pesaro, &c., [10], [18], [22]
Barbatina, explained, [129]
Bartolomeo, [152]
Bassano, [186]
Beads, maiolica, [64]
Benedetto, maestro, [177]
Betrothal dishes, [30]
Boccoleri, of Venice, their petition, [181]
Bologna, [176]
Borgo san Sepolero, [154]
Botega, the meaning, [1]
Cachan ware, [66]
Cæsare da Faenza, [151]
Caffaggiolo, [27]
” under the Medici, [43]
” usual subjects, [62]
” potteries, [88]
” characteristics, [89]
” examples at South Kensington, [92]
” name variously spelt, [94]
Calata-Girone potteries, [85]
Camillo da Urbino, [177]
Campani, Ferdinando, [154]
Capo di monte, [186]
Castel Durante, [37], [127], [128]
” earliest signed piece, [130], [132]
” general decoration, [130]
Cencio, maestro, [124]
Chigi, cardinal, at San Quirico, [154]
Chinese porcelain, imitations, [46]
Ciarla, [152]
Coffins, made of ware, [5]
Damascus plate, [13]
” ware, [68]
” the name should be revived, [69]
” lamp, [69]
” two varieties, [69]
Diruta, madreperla, [30]
” potteries, [154]
Discs, on walls at Bologna, &c., [10]
Discs, at Pisa, [18]
Duccio, Agostino, [28]
Egyptians, anciently used glaze, [3]
” turquoise blue, [5]
Elizabethan “Damascus” ware, [69]
Enamelled wares, [12]
English reproductions, [50], [74]
Enrico da Modena, [177]
F. R. monogram, [170]
Fabriano, potteries, [157]
” mark and date, [157], [158]
Fabrique, the meaning, [1]
Faenza, examples [23], &c., [40]
” origin of name, [61], [163]
” potteries, [163]
” earliest dates, [164]
” five divisions, [166]
” early characteristics, [171]
” late examples, [173]
Fayence, how made, [3]
Ferrara potteries, [34], [177]
” examples, [179]
Florentine porcelain, [47]
Fontana, Camillo, [37], [147]
” Flaminio, [148]
” Francesco, [127]
” Orazio, [43], [139], [146]
” originally Pelliparii, [127], [137]
” Guido, [142]
” Gironimo, [147]
Forgeries, [49], [126]
Forlì, [175]
Fornarina, [45]
Francesco Durantino, [150]
Franco, Battista, [43], [150]
French reproductions, [50], [74]
Furnaces, as explained by Piccolpasso, [56]
Gabriele, [152]
German, early enamel glazing, [21]
Giannantonio, [152]
Giorgio. See Andreoli.
Giovanni da Modena, [177]
Glaze, vitreous, invented in the East, [1], [2]
” upon tiles, [9]
Gombrōn ware, [67]
Græco-Roman pottery, [8]
Gubbio, vases, &c., [38]
” wares, [111]
” early date, [113]
Guy, from Castel Durante, [152]
Hispano-moresque vase, [15]
” pottery, rare in Spain, [20]
” a doubtful variety, [71]
” formerly undistinguished, [75]
” varieties, [76]
House of Loretto, dust collected to make cups, &c., [160]
Imola, [176]
Isabella d’Este, [177]
Ispahan tiles, [67]
Italian pottery, various names,, [61]
Iviça potteries, [79]
Lanfranchi family, [40]
” wares, [104]
Lead-glazed wares, [6]
Lindus wares, [65], [69]
Lombard potteries, [34]
Loreto drug pots and vases, [43], [144], [145]
” potteries, [159]
Lustre, applied in Persia, &c., [6]
” earliest trace in Europe, [18]
” madreperla, [30]
Lustre pigments, the secret lost, [126]
” modern imitations, [126]
Madreperla lustre, [30]
Maestro, the title, [114]
Maiolica, the term, [20], [78], [112]
” proper restriction, [21]
” vases or drug pots at Loreto, [43]
” beads, [64]
Majorca ware, [77]
Malaga ware, [76]
Manara (Baldasara), [169]
Mantua, potteries, [180]
Mariana (Gian), [152]
Mariani, [152]
Merlino, Guido, [151]
Metallic lustre, [18]
Metauro loam, [128]
Mezza-maiolica, [21]
” outlines and designs, [30]
Milan, [186]
Modena, potteries, [179]
Monte Lupo pottery, [100]
” inscription, [101]
Moorish periods in Spain, [14]
” in Sicily, [17]
” art, prohibited in Spain, [76]
Mosque lamp, [69]
Nahinna ware, [67]
Naples, reproductions, [50]
” potteries, [186]
Natinz ware, [67]
Nicola da Urbino, [138]
” first signed piece, [138]
Orazio (Fontana) examples, [146]
Padua, [186]
Patanati, their productions, [152]
Patanati, Vincenzio, his childish attempts, [152]
Pelliparii, afterwards Fontana, [127]
Persian wall tiles, [7], [65]
” ware at Pisa, [18]
” ” origin, [65]
” ” how to be divided, [67]
Perugino, portrait, [135]
Pesaro, ancient potteries, [10], [29], [32], [103]
” madreperla, [30], [103]
” renaissance potteries, [103], [106]
” ” inscriptions, [106]
” ” earliest dated, [108]
” modern, [110]
Piccolpasso, his book, [51]
” his botega, [112]
Picchi, Georgio, [152]
Pirota (casa), [166]
Pisa, potteries, [101]
Plumbeous glaze, [8]
Pottery, or Fayence, how made, [3]
” Græco-Roman, [8]
” best period of Italian, [42]
Raffaelle, his designs, 42-[45]
” ware, so-called, [62]
Ravenna, potteries, [34]
Rhodian wares, [69]
” characteristics, [70]
Robbia, Luca della, [22], [25], [27], [89]
” Notice of his life, by Mr. Robinson, [24]
” Andrea, [28]
” Giovanni, [28]
” Girolamo, [28]
Roman potteries, [45]
” in sixteenth century, [160]
” style of decoration, [161]
” biscuit porcelain, [162]
Romano, Giulio, [48]
St. Sebastian, rilievo, ascribed to Giorgio, [120]
Saltzburg, chimney piece, [21]
San Quirico, potteries, [154]
Sassuolo, potteries, [180]
Savino, Guido, [38]
Scodelle, [63]
Seggers, as explained by Piccolpasso, [54]
Sgraffiati, wares, [86]
” ” the method, [86]
Sicilian lustred ware, [84]
Siena, potteries, [96]
” marks, [99]
Silvano, Francesco, [152]
Stanniferous, enamel, earliest date, [27]
Strehla, terra-cotta pulpit, [21]
Teheran ware, [67]
Terra-cotta discs, on walls, [9], [10]
” pulpit, [21]
Tiles, on walls, &c., [10], [22], [72]
” of the Alhambra, [14]
” at Leipsic, [21]
” in mosques, [65]
” of Ispahan, [67]
” in the Seraglio, [72]
” modern Indian, [73]
” at Cordova, [75]
” at Siena, [96]
” Faenza, [165]
Tondi, of Luca della Robbia, [24]
Tondino, the form, [63]
Treviso, [186]
Turin, [186]
Unknown fabriques, examples, [186]
Urbino, sketch of the ducal history, [35]
” vases, &c., [38]
” ware, the name, [62]
” ancient wares, [136]
” decorations, [152]
” no modern artistic pottery, [153]
Valencia, potteries, [14], [79], [82]
” emblem of the Eagle, [80]
” ware, brought to England in 1400, [83]
Vases, different shapes as given by Piccolpasso, [52]
Venetian potteries, [34], [37], [181]
” earliest dated, [183]
Verona, [186]
V.I.N., monogram. See Cencio, [124]
Vincenzio Patanati, [152]
Viterbo, example of ware, [158]
Vitreous, or glass-glazed wares, [4]
Ware, soft and hard, [3]
Xativa potteries, [80]
Zanto, Francesco, [148]
” Mr. Robinson’s judgment on his works, [148]
” too severe, [149]
Zonan, Antonio, [181]
LONDON: BRADBURY, AGNEW, & CO., PRINTERS, WHITEFRIARS.
SOUTH KENSINGTON MUSEUM
ART HANDBOOKS.
EDITED BY WILLIAM MASKELL.
1. TEXTILE FABRICS. By the Very Rev. Daniel Rock, D.D. With numerous Woodcuts.
2. IVORIES: ANCIENT AND MEDIÆVAL. By William Maskell. With numerous Woodcuts.
3. ANCIENT AND MODERN FURNITURE AND WOODWORK. By John Hungerford Pollen. With numerous Woodcuts.
4. MAIOLICA. By C. Drury E. Fortnum, F.S.A. With numerous Woodcuts.
5. MUSICAL INSTRUMENTS. By Carl Engel. With numerous Woodcuts.