The Duke put on pince-nez, and went in search of the prettiest possible partner he could find. He had come to his second youth, and meant to enjoy it. He found himself murmuring complimentary epigrams to Lalage and Chloe, written by himself during college days when under the glamour of Horace. He wondered if they would do.
Geoffrey talked of New-Year reforms to Barnett Q. with the seriousness of a budding legislator, and remembered his previous experience at Liberty Hall. What a difference! Then had been riot; this was the other extreme. Where was the reason why?
The company consisted--he saw--mostly of the same people who previously had wrought vulgar tumult there; every face was more or less familiar to him; but their manners, hitherto blatant, were now positively mealy-mouthed. Roaring lions expressed themselves with the modesty of penny whistles. What did it mean? Bounders, ninnies, minxes had left off their meannesses and become decently human.
Any attempt at vulgarity was instantly hushed and checked. Lame efforts at ostentation were remorselessly snubbed. Geoffrey had learned several things during the last few days; his eyes had been better opened. He put this condition of strained propriety down to its right source, the fairies; but her Grace, his mother, had also something to do with it. Mrs. Moss was positive it was mainly due to the dear Duchess.
The coming of the Arminghams was certainly an event in the social history of Liberty Hall. If it had not been for the strange sense of constraint which held her, Mrs. Moss would have exulted, pleased as a young redskin with his first scalp. As it was, she fluttered like a nervous hen round an ostrich-egg, knowing she had not lived in vain.
It was the Duke who, the fairies willing, broke down the barriers of undue restraint. The elf-atmosphere, which subdued the loud rich, roused and awakened him. He was inclined to rollick. Breaking through the established order of things, he induced Barnett Q. to start an old country dance. The experiment took. Feet which earlier in the evening had been lamely waltzing or half-heartedly two-stepping became lively with Sir Roger de Coverley. It was a revolution, transformation complete.
Clean simplicity came to people who had always deemed it folly to be simple. Whole-heartedly the guests joined in the dance--they hurried to take places in long laughing rows--the Duchess herself came down from the proud mountains to go trotting through a smiling avenue with her partner, Barnett Q. The fairies, too, made shimmering lines, and improved on the movements of the human-folk. There were no more unsocial or ugly dances that night. The party was for all the world like one played by happy children.
Girls of blasée eighteen became young for the first time since they left the nursery; gilded youths resisted tendencies towards brainless talk and inelegant posing; oldsters, whose dyed hair and waxed moustaches whispered grey stories, forgot affectations and selfishness; ladies of middle age declined to be wall-flowers longer. They asked idlers to partner them in a natural feminine way. Hilarity was alive. The card-room was abandoned. Fairies were helping lovers along the happy pathway. The clock most musically clanged twelve in sympathy.
"My love," declared Barnett Q., panting, to his wife, "this is the best we have ever had."
"The dear Duchess!" said she. There was little credit for the fairies from her.