[80] The portion in front of the main organ and therefore behind the performer.
[81] See Glossary.
[82] Given by Spitta, vol. ii. p. 289.
[83] It is given by Spitta as a supplement to vol. iii. It is worth noticing that the right hand plays the three upper notes in each chord, the left only playing the bass; and this is how harmony exercises are still written in Germany.
[84] There are organists still living who have not forsaken the ancient custom of adding small ornaments to the written notes.
[85] This is referred to by Berlioz in his “Instrumentation.” Organ builders would frequently use the higher pitch to save the expense of the largest pipes, unless carefully watched.
[86] Pianoforte score.
[87] Pianoforte score.