“For it was a vision and a prophecy; what did then I behold in parable? And who is it who is still to come?

“Who is the shepherd into whose mouth crept the snake? Who is the man into whose throat all the heaviness and the blackest would creep?[[762]]

“But the shepherd bit, as my cry had told him; he bit with a huge bite! Far away did he spit the head of the serpent—and sprang up.

“No longer shepherd, no longer man, a transfigured being, an illuminated being, who laughed! Never yet on earth did a man laugh as he laughed!

“O my brethren, I heard a laugh which was no human laughter—and now a thirst consumeth me, a longing that is never allayed.

“My longing for this laugh eats into me. Oh, how can I suffer still to live! And how now can I bear to die!”[[763]]

The snake represents the introverting libido. Through introversion one is fertilized, inspired, regenerated and reborn from the God. In Hindoo philosophy this idea of creative, intellectual activity has even cosmogenic significance. The unknown original creator of all things is, according to Rigveda 10, 121, Prajâpati, the “Lord of Creation.” In the various Brahmas, his cosmogenic activity was depicted in the following manner

“Prajâpati desired: ‘I will procreate myself, I will be manifold.’ He performed Tapas; after he had performed Tapas he created these worlds.”

The strange conception of Tapas is to be translated, according to Deussen,[[764]] as “he heated himself with his own heat,[[765]] with the sense of ‘he brooded, he hatched.’” Here the hatcher and the hatched are not two, but one and the same identical being. As Hiranyagarbha, Prajâpati is the egg produced from himself, the world-egg, from which he hatches himself. He creeps into himself, he becomes his own uterus, becomes pregnant with himself, in order to give birth to the world of multiplicity. Thus Prajâpati through the way of introversion changed into something new, the multiplicity of the world. It is of especial interest to note how the most remote things come into contact. Deussen observes:

“In the degree that the conception of Tapas (heat) becomes in hot India the symbol of exertion and distress, the ‘tapo atapyata’ began to assume the meaning of self-castigation and became related to the idea that creation is an act of self-renunciation on the part of the Creator.”