[359]. A French father who naturally disagreed with me in regard to this interest in his child mentioned, nevertheless, that when the child speaks of cacao, he always adds “lit”; he means caca-au-lit.
[360]. Freud: Jahrbuch, Vol. I, p. 1. Jung: Jahrbuch, Vol. II, p. 33. See third lecture delivered at Clark University, 1909.
[361]. I refer to the previous etymologic connection.
[362]. Compare Bleuler: Jahrbuch, Vol. III, p. 467.
[363]. “Genius and Insanity.”
[364]. Here again is the connection with antiquity, the infantile past.
[365]. This fact is unknown to me. It might be possible that in some way the name of the legendary man who invented the cuneiform characters has been preserved (as, for example, Sinlikiunnini as the poet of the Gilgamesh epic). But I have not succeeded in finding anything of that sort. However, Ashshurbanaplu or Asurbanipal has left behind that marvellous cuneiform library, which was excavated in Kujundschik. Perhaps “Asurubama” has something to do with this name. Further there comes into consideration the name of Aholibamah, which we have met in Part I. The word “Ahamarama” betrays equally some connections with Anah and Aholibamah, those daughters of Cain with the sinful passion for the sons of God. This possibility hints at Chiwantopel as the longed-for son of God. (Did Byron think of the two sister whores, Ohola and Oholiba? Ezeck. xxiii:4.)
[366]. The race does not part with its wandering sun-heroes. Thus it was related of Cagliostro, that he once drove at the same time four white horses out of a city from all the city gates simultaneously (Helios!).
[367]. Mysticism.
[368]. Agni, the fire, also hides himself at times in a cavern. Therefore he must be brought forth again by generation from the cavity of the female wood. Compare Kuhn: “Herabk. des Feuers.”