[750]. “And the woman—having a golden cup in her hand full of abominations and filthiness of her fornication” (Rev. xvii:4). The woman is “drunken with the blood of the saints and with the blood of the martyrs of Jesus”: a striking image of the terrible mother (here, cup = genitals). In the Tibetan myth of Bogda Gesser Khan there is a beetle (treasure attainable with difficulty), which the demoniac old woman guards. Gesser says to her: “Sister, never since I was born have you shown me the beetle my soul.” The mother libido is also the soul. It is significant that the old woman desired the hero as a husband. (Frobenius.)

[751]. This is also the significance of the mysteries. Their purpose is to lead the useless, regressive incestuous libido over the bridges of symbolism into rational activity, and through that transform the obscure compulsion of the libido working up from the unconscious into social communion and higher moral endeavor.

[752]. An excellent example of this is the description of the orgies of the Russian sectarian by Mereschkowski, in his book, “Peter the Great and Alexei.” In the cult of the Asiatic Goddesses of love (Anaïtis, Mylitta, etc.), prostitution in the temple was an organized institution. The orgiastic cult of Anâhita (Anaïtis) has been preserved in modern sects, with the Ali Illâhîja, the so-called “extinguishers of light”; with the Yezêds and Dushikkurds, who celebrate nocturnal religious orgies which end in a wild sexual debauch, during which incestuous unions also occur. (Spiegel: “Erân. Altertumskunde,” II, p. 64.) Further examples are to be found in the valuable work of Stoll (“Das Sexualleben in der Völkerpsychologie,” Leipzig 1908).

[753]. Concerning the kiss of the snake, compare Grimm, II, p. 809. By this means, a beautiful woman was set free. The sucking refers to the maternal significance of the snake, which exists along with the phallic. It is a coitus act on the presexual stage. Spielrein’s insane patient (Jahrbuch, III, p. 344) says as follows: “Wine is the blood of Jesus.—The water must be blessed, and was blessed by him. The one buried alive becomes the vineyard. That wine becomes blood—the water is mingled with ‘childishness’ because God says, ‘become like little children.’ There is also a spermatic water which can be drunken with blood. That perhaps is the water of Jesus.” Here we find a commingling of all the various meanings of the way to win immortality. Wiedemann (“Der alte Orient,” II, 2, p. 18; cited by Dieterich: Ibid., p. 101) asserts that it is an Egyptian idea that man draws in the milk of immortality by suckling the breast of a goddess. (Compare with that the myth of Hercules, where the hero attains immortality by a single draw at the breast of Hera.)

[754]. From the writings of the sectarian Anton Unternährer: “Geheimes Reskript der bernischen Regierung an die Pfarr- und Statthalterämter,” 1821. I owe the knowledge of this fragment to Rev. Dr. O. Pfister.

[755]. Nietzsche: “Zarathustra”: “And I also give this parable to you: Not a few who wished to drive out the devil from themselves, by that lead themselves into the slough.”

[756]. Compare the vision of Zosimos.

[757]. The significance of the communion ritual as a unio mystica with God is at bottom sexual and very corporeal. The primitive significance of the communion is that of a Hierosgamos. Therefore in the fragment of the Attis mysteries handed down by Firmicus it is said that the mystic eats from the Tympanon, drinks from the Kymbalon, and he confesses: ὑπὸ τὸν παστὸν ὑπέδυον, which means the same as: “I have entered the bridal chamber.” Usener (in Dieterich: Ibid., p. 126) refers to a series of quotations from the patristic literature, of which I mention merely one sentence from the speeches of Proclus of Constantinople: ἡ παστας εν ἡ ὁ λογος ενυμφευσατο την σακρα (The bridal chamber in which the Logos has espoused the flesh). The church is also to some extent the bridal chamber, where the spirit unites with the flesh, really the Cömeterium. Irenaeus mentions some more of the initiatory customs of certain gnostic sects, which were undoubtedly nothing but spiritual weddings. (Compare Dieterich: Ibid., p. 127 ff.) In the Catholic church, even yet, a Hierosgamos is celebrated on the installation of a priest. A young maiden there represents the church as bride.

[758]. Compare also the phantasies of Felicien Rops: The crucified Priapus.

[759]. Compare with that the symbolism in Nietzsche’s poem: “Why enticest thou thyself into the paradise of the old serpent?”