On the top of Lyhart's screen came a clock; there are records in the sacrists' rolls of materials used in the construction of an earlier clock that was made between 1322-25—of two hundred pieces of Caen stone and ten of "Gobetz" used to make a base, and that for making thirty images to represent the days of the month, no less than 47s. 4d. was paid.
The vault was added by Bishop Nykke at the same time as that to the north transept; the carved bosses representing the early history of Christ—the Presentation, Baptism, etc. The painted glass window on the east side, the subject of which is the Ascension (after Raphael), was erected by the widow of Dean Lloyd about a century since. Speaking of its original position in the triforium of the presbytery, Britton says "it disfigures, rather than ornaments, its station"; it can safely be added that it fulfils the same purpose still.
Monuments.—Chantrey's statue of Bishop Bathhurst (d. 1837), originally in the presbytery, has been placed here in the south transept. The west wall has a memorial to the men and officers of the 9th (East Norfolk) Regiment of Foot who fell in China and Japan.
The east wall has a similar tablet to those of the same regiment who fell in Afghanistan, 1842. A monument, originally on the west wall, to Bishop Scambler (1585-95), has been removed to the south aisle of nave.
The county of Norfolk is peculiarly rich in painted screens of the fourteenth and fifteenth centuries; and it would have been strange indeed if no specimen of their work had been preserved in the cathedral. Fortunately, a superb retable in five panels, representing scenes in the Passion of our Lord was discovered by Professor Willis in 1847, and is now preserved in the aisle outside the Jesus Chapel.
This was formerly an altar-piece to the Jesus Chapel, and was preserved by the happy accident of its admirable carpentry having saved it for the purposes of a table. It appears to have been the work of an Italian artist of about 1370 A.D., and is executed in a kind of gesso work. The size is now 7 ft. 5½ ins. x 2 ft. 4 ins.; but it was formerly surrounded by an ornamented frame, of which portions remain on three sides. The subjects represented are—from the left—The Scourging, Bearing the Cross, the Crucifixion, the Resurrection, and the Ascension.[*]
Traces of other decorative painting have also been discovered in the Sacrist's Room, St. Luke's and the Jesus Chapels, the choir aisles, and other places.
[*] Royal Arch. Institute: Norwich volume, p. 198.