The old theories of the alchemists were gradually exploded and superseded, and many were driven to the most flagrant quackery to earn a living.
Cornelius Agrippa, who was one of the leaders of the new order, says: “It would take too much time to recount all the follies, the idle secrets, and the enigmas of this trade, of the green lion, the fugitive stag, the flying eagle, the inflated toad, the crow’s head of the black blacker than the black, of the seal of Mercury, of the mud of wisdom, and other countless absurdities of the time. Many of them travelled from fair to fair in order to make a little money by the sale of white lead, vermilion, antimony, and other drugs used by women for painting the face, and drugs which the Scripture calls ointments of lust.” Meanwhile the efforts of the practical workers were encouraged by administrators and princes, with the result that the application of chemistry and the technical arts became predominant, and metallurgy the leading spirit of the science.
A notable character in the time of Queen Elizabeth was Dr. Dee, alchemist and astrologer. The career of this man, who was more a charlatan than aught else, was one of extraordinary vicissitude. A Welshman by birth, he was educated at Oxford, and then travelled throughout Europe, claiming that he had discovered the elixir of life and the philosopher’s stone. He was a man of overweening ambition, and delighted to hear himself called “Most Excellent”. In company with a man named Kelly, it is said he discovered a quantity of the elixir in the ruins of Glastonbury Abbey; this they at once annexed and carried off to Poland, accompanied by a nobleman of that country. After travelling from one Court to another, where he is said to have performed wonderful feats with his elixir, he returned to England and settled at Mortlake, where Elizabeth often visited him to consult him on astrology, and he even ventured to predict her death.[3] He was a great favourite at Court in 1595, and the Queen made him Chancellor of Paul’s and Warden of Manchester, but he died in great poverty.
AN ALCHEMIST.
From an engraving dated 1576.
The illustration represents an alchemist of the sixteenth century in an ante-room of his laboratory, engaged in fixing a portion of his apparatus. On the table is his luting box and knife. Through one window a view of the laboratory with stills of varied size is obtained, while through the other the sun looks with becoming gravity on the operation.