FIG. 2.
Coming to the time of the Roman Empire, we have the first real evidence of the use of the mortar for pharmaceutical purposes. Medicine and pharmacy allied, in the time of Celsus, had become practical arts; and we know from the preparations described by that author that practical appliances were necessary. Thus the malagma used as an application to the skin was a kind of soft mass directed to be beaten up to the consistency of a thick paste; and the ingredients of the catapotia were often ordered to be bruised before being mixed.
FIG. 3.
Roman mortaria composed of earthenware are very commonly found, and many examples may be seen in most of our museums among other Roman remains. They were chiefly made for domestic use, and although they vary very little in pattern, the sizes are numerous. The larger ones are, as a rule, very strongly made, and all have a thick divided rim with a rounded moulding. The inside was roughened with splinters of flint or hard stone, or hard-burnt earthenware, which was fixed on with a kind of “slip” or liquid clay with which the Romans finished their ware. A wooden pestle was used with these mortaria, which were no doubt chiefly employed for triturating and mixing various condiments for domestic use. The Roman mortarium shown in Fig. [3] is twenty-eight inches in breadth, and bears the stamp of the maker’s name, showing it to be the work of one Publius Raso.
Some of the smaller mortaria found are composed of a very white clay of a vitreous character burnt hard like porcelain, and are nonabsorbent. These were probably used for mixing more delicate condiments.
There were large manufactories for mortaria in Britain, situated chiefly in the south of England, at the mouth of the Thames, and in Essex and Staffordshire. From these factories there was a considerable export trade to Rome and Gaul.