Rounders (a bastard form of it) are played by the Ispahan boys, and they also play at a species of fives. Marbles are unknown, but I have seen the primitive game of “bonse,” which is played by our boys with “bonses” (large marbles), large pebbles being the substitutes for the bonses in Persia, as they are with street-boys here.
Wrestling is in great favour; the gymnasia (Zūr Khana) are frequented by the youth and manhood of all ranks, who meet there on an equality. Wrestling bouts are common among the boys and youths on every village maidān.
In each gymnasium (Zūr Khana, literally “house of force”) the professional “pehliwan,” or wrestlers, practise daily; and gymnastics, i. e. a course of attendance at a gymnasium, are often prescribed by the native doctor. Generally an experienced and retired pehliwan acts as “lanista,” and for a small fee prescribes a regular course of exercises. Dumb-bells are much used; also a heavy block of wood, shield-shape, some two feet by three, and three inches thick, with an aperture in the middle, in which is placed a handle. The gymnast lies on his back, and holding this in one hand makes extension from side to side; a huge bow of thick steel plates, with a chain representing the string, is bent and unbent frequently.
But the great and most favourite implements are the clubs (what we call Indian clubs); these the professional athlete will use of great size and weight; and after going through the usual exercises will hurl them, together or alternately, to a great height, and unfailingly catch them.
The wrestling is carried on, as a rule, good-temperedly; but when done by professionals for reward, awkward tricks are employed, such as suddenly thrusting the fingers into the eye of the adversary, and others still more dangerous.
As a preventive against these, the wrestler always wears knee breeches of stiff horsehide, some of which are beautifully embroidered with blue thread; all above the waist and below the knee being bare. A good deal of time is, as a rule, lost in taking hold and clappings of hands, and then generally the bout commences with one hand grasping the adversary’s, while the other clutches the body. The object is not a clean throw, but to make the knees of the opponent touch the ground, and consequently agility tells more than strength and size. The pairs are always made with regard to skill, size and weight being little considered.
The gymnasia are merely darkened rooms (for coolness), with a sunken ring in the centre, where the wrestling takes place. The floor is nearly always of earth only, to render falls less severe.
A Persian has no idea of the use of his fists. When a street-fight takes place, the combatants claw and slap at each other, and end by clutching each other’s “zūlf” (long love-locks, which most wear), or beards, or clothing. Then comes a sort of wrestle, when they are generally separated.
Every great personage retains among his favoured servants a few pehliwans or wrestlers; and among the artisans many are wrestlers by profession, and follow at the same time a trade.