It opened ahead of me.

"Ah! how do you do, Captain Shepherd? We've been expecting you for over a week. Come right in. We know all about you. Here, James, take Captain Shepherd up to his room at once. No, don't bother to say anything. Just go and have a good hot bath."

It was the voice of an angel that spoke!


[CHAPTER XV]
SANTA FÉ

Santa Fé is the most delightful of places. It has a charm all its own. It is small, quaint, and intensely old. It is far removed from other American towns—just as far as west is from east. It represents the quintessence of New Mexico, and at the same time—so it is alleged—sets the standard of art in America.

The first words of a mediocre Easterner when he enters the plaza of Santa Fé are "Heavens'n earth! what kind of a hole have I struck now?" But if he has a soul underlying that eastern veneer of his, if he has an appreciation for art and beauty in architecture unimpaired by familiarity with gigantic skyscrapers, he will repent those words. His disdainful grin as he first catches sight of the Art Museum and sees an edifice of mud with ne'er a corner that could be called sharp, will fade slowly from his face, and once he has recovered from the shock of the "sudden uniqueness" of everything, his look will turn to one of wonder and admiration.

Santa Fé is small. It contains no more than 6,000 inhabitants—a curious mixture of Mexicans, Indians, and Americans. Its population, moreover, is at a standstill. As the capital of a State of 160,000 square miles, it seems ludicrous, until one reflects that there are but 50,000 people in the whole country. Of Spanish origin, it is laid out in Spanish style, with the plaza or public square in the centre. Around the plaza are arranged most of the more important buildings. These, with few exceptions, follow closely the "adobe" architecture of the "Pueblo" Indians, combined with the architecture of the later "Franciscan" Missions that were instituted by the Spanish Friars, who in the early days of colonization penetrated far into the continent.

In the forefront of every march and every exploration there was always the brown-robed Franciscan, bearing along with his crucifix the trowel and the book. To convert, to build, and to teach—these were the self-imposed tasks to which he consecrated his life. Especially do we honour him as a builder. Living among a passionate people, who resented the intrusion of strange gods among their own, often surrounded by cruel and relentless foes, the type of his structures was determined by the conditions of his existence. There must be a church in which to preach the new religion, a convent in which to live, and along with these, a school in which he might give instruction. These must be connected and compactly placed to serve as a fortress against present enemies; and they must be massive, to withstand the ravages of time. There were eleven such churches in New Mexico alone prior to the landing of the Mayflower—and more than fifty others were established during the century which followed.