FROM THE 'INTERIOR AT PETWORTH' TO THE PERIOD OF THE 'UNFINISHED' OILS
XXXVI. 1830 (aged 55). He paints the 'Interior at Petworth,' and mourns the death of his Father, and of Sir Thomas Lawrence[157]
XXXVII. 1831 (aged 56). He turns his 'magic limelight' on 'Caligula's Palace and Bridge,' visits Sir Walter Scott, and makes his Will[164]
XXXVIII. 1832 (aged 57). He paints 'Childe Harold's Pilgrimage,' and is jocular on Varnishing Day[167]
XXXIX. 1833 (aged 58). He paints his first 'Venice' picture, and repurchases some of his own Drawings at Auction[169]
XL. 1834 (aged 59). Some old Stories and some Ageless Colour Studies[172]
PART SEVEN (1835-1845)
FROM A CONSIDERATION OF THE 'UNFINISHED' OILS TO 'RAIN, STEAM, AND SPEED,' AND THE LAST SKETCH-BOOKS
XLI. 1835 (aged 60). Some remarks on the 'Unfinished' Oils and Blackwood's attack on his 'Venice' picture of this year[179]
XLII. 1836 (aged 61). The Reception of 'Juliet and Her Nurse' proclaims that Turner is beginning to lose Favour with the Public[186]