'Nor cast one longing, lingering look behind;'
then, I say, that man's made of 'impenetrable stuff;' and, being too wise for whimsicality, is too phlegmatic for genius, and too crabbed for mellowness." Mark, what a set of merry open-faced rogues surround Punch, who peeps down at them as cunningly as "a magpie peeping into a marrow bone; "—how luxuriantly they laugh, or stand with their eyes and mouths equally distended, staring at the minikin effigy of fun and phantasy; thinking, no doubt,
"He bin the greatest wight on earth."
And, certainly, he has not his equal, as a positive, dogmatic, knock-me-down argument-monger; a dare devil; an embodied phantasmagoria, or frisky infatuation. I have often thought that Punch might be converted to profitable use, by being made a speaking Pasquin; and, properly instructed, might hold up his restless quarter staff, in terrorem, over the heads of all public outragers of decency; and by opening the eyes of the million, who flock to his orations, enlighten them, at least, as much as many greater folks, who make more noise than he, and who, like him, often get laughed at, without being conscious that they are the subjects of merriment. The very name of our old friend Punch inspires us in our social moments. What other actor has been commemorated by the potential cup? is not the sacred bowl of friendship dedicated to the wooden hero? would you forget the world, its cares, vexations, and anxieties, sip of the mantling, mirth-inspiring cordial, and all within is jollity and gay delight.
"For Punch cures the gout, the cholic, and the phthisic,
And it is to every man the very best of physic."
Honest, kind-hearted Punch! I could write a volume in thy praise, and then, I fear, I should leave half thy merits untold. Thou art worth a hundred of the fashionable kickshaws that are daily palmed upon us to be admired; and thy good-humoured efforts to please at the expense of a broken pate can never be sufficiently praised.
But now the curtain rises, and Mr. Punch steals from behind his two-foot drapery: the very tip of his arched nose is the prologue to a merry play; he makes his bow to the multitude, and salutes them with all the familiarity of an old acquaintance. What a glorious reception does he meet with from an admiring audience! And now his adventures commence—his "dear Judy," the partner of his life, by turns experiences all the capricious effects of love and war. What a true picture of the storms of life!—how admirable an essay on matrimonial felicity! Then his alternate uxoriousness to the lady, and his fondlings of that pretty "kretur" with the family countenance; his chivalrous exploits on horseback, and mimic capering round the lists of his chequered tilt-yard; his unhappy differences with the partner of his bosom, and her lamentable catastrophe; the fracas with the sheriff's substitute; and his interview with that incomprehensible personage, the knight of the sable countenance, who salutes him with the portentous address of "schalabala! schalabala! schalabala!" his successive perils and encounters with the ghost of the martyred Judy; and, after his combat with the great enemy of mankind, the devil himself, "propria Marte" his temporary triumph; and, finally, his defeat by a greater man than old Lucifer, the renowned Mr. John Ketch. Talk of modern dramas, indeed!—show me any of your Dimonds, Reynolds, Dibdins, or Crolys that can compare with Punchiana, in the unities of time, place, costume, and action, intricate and interesting plot, situations provokingly comical and effective, and a catastrophe the most appallingly surprising and agreeable. Then his combats aux batons are superior even to Bradley and Blanchard; but the ne plus ultra of his exploits, the cream of all his comicalities, the grand event, is the ingenious trick by which Mr. Punch, when about to suffer on the scaffold, disposes of the executioner, and frees himself from purgatory, by persuading the unsuspecting hangman, merely for the sake of instruction to an uninitiated culprit, to try his own head in the noose: Punch, of course, seizes the perilous moment—runs him up to the top of the fatal beam—Mr. John Ketch hangs suspended in the air—Punch shouts a glorious triumph—all the world backs him in his conquest—the old cracked trumpet sounds to victory—the showman's hat has made the transit of the circle, and returns half-filled with the voluntary copper contributions of the happy audience. The alderman drops his tributary shilling, while his fat sides shake with laughter; even Mrs. Marigold and the amiable Miss Biddy have become victims to the vulgar inspiration, and are laughing as heartily as if they were enjoying the grimaces of the first of buffos, Signor Ambrogetti. And now the curtain falls, and the busy group disperse their several ways, chuckling with delight over the recollections of the mad waggeries of immortal Mr. Punch.
All hail! thou first great mimic chief,
Physician to the mind's relief;
Thrice hail! most potent Punch.
Not Momus' self, should he appear,
Could dim the lustre of thy sphere;
So hail! all hail! great Punch.
Bernard Blackmantle.