Being the Becketts' adviser-in-chief, and having his lungs full of ozone every day should be enough to account for Brian's improvement. Yet—well, I can't help thinking that he takes a lot more trouble than he need for Dierdre O'Farrell. Oh, not that he's in love! Such an idea is ridiculous, but he's interested and sorry for the girl, because she goes about with a chip on her shoulder, defying the world to knock it off. He won't admit that it's the fault of her outlook on the world, and that the poor old world isn't to blame at all.

What if he knew the truth about that brother and sister? Naturally I can't tell him, of all people on earth, and they take advantage of my handicap. They've used their time well, in my absence, when they had Brian to themselves. He had his doubts of Julian, but the creature has sung himself into my blind brother's heart. From what I hear, the three have spent most of their time at the piano in the private salon which the Becketts invited the O'Farrells to engage.

Now, as I write, we are making our headquarters in Compiègne, sleeping there, and sightseeing by day on what they call the "Noyon Front."

After Rheims and before Noyon we stopped three days in Paris instead of one, as we'd planned, for Mother Beckett was tired. She wouldn't confess it, but "Father" thought she looked pale. Strange if she had not, after such experiences and emotions! Sometimes, when I study the delicate old face, with blue hollows under kind, sweet eyes, I ask myself: "Will she be able to get through the task she's set herself?" But she is so quietly brave, not only in fatigue, but in danger, that I answer my own question: "Yes, she will do it somehow, on the reserve force that kept her up when Jim died."

The road from Paris, past Senlis, to Compiègne, was even more thrilling than the road to Nancy and beyond, for this was the way the Germans took in September, 1914, when they thought the capital was theirs to have and hold: "la route de l'Allemagne" it used to be called, but never will French lips give it that name again.

Just at first, running out of the city in early morning, things looked much the same as when starting for Nancy: the unnatural quiet of streets once crammed with busy traffic for feeding gay Paris; military motors of all sorts and sizes, instead of milk wagons and cartloads of colourful fruits; women working instead of men; children on their way to school, sedately talking of "papa au Front," instead of playing games. But outside the suburbs the real thrills began.

There were the toy-like fortifications of which Paris was proud in the 'fifties; there was the black tangle of barbed wire, and the trace of trenches (a mere depression on the earth's surface, as if a serpent had laid its heavy length on a great, green velvet cushion) with which Paris had hoped to delay the German wave. Only a little way on, we shot through the sleepy-looking village of Bourget where Napoleon stopped a few hours after Waterloo, rather than enter Paris by daylight; and Brian had a story of the place. A French soldier, a friend of his (nearly everyone he meets is Brian's friend!) who was born there, told him that on each anniversary the ghost of the "Little Corporal" appears, travel-stained and worn, on the road leading to Bourget. For many years his custom was to show himself for a second to some seeing eye, then vanish like a mirage of the desert. But since 1914 his way is different. He does not confine his visit to the hamlet of sad memories. He walks the country side, his hands behind him, his head bent as of old; or he rides a horse that is slightly lame, inspecting with thoughtful gaze the frenzied industries of war, war such as he—the war-genius—never saw in his visions of the future: the immense aerodromes, the bomb sheds, the wireless stations and observation towers, the giant "saucisses" resting under green canvas, ready to rise at dawn; and all the other astounding features of the landscape so peaceful in his day.

Even now parts of it are peaceful, often the very spots marked by history, where it seems as if each tree should be decorated by a Croix de Guerre. For instance, there was the place—a junction of roads—where the Uhlans with a glitter of helmets came proudly galloping toward Paris, and to their blank amazement and rage had to turn back. As we halted to take in the scene, it was mysterious as dreamland in the morning mist. Nothing moved save two teams of cream-coloured oxen, their moon-white sides dazzling behind a silver veil. The pale road stretched before us so straight and far that it seemed to descend from the sky like a waterfall. Only the trees had a martial look, like tall, dark soldiers drawn up in line for parade.

It was not till we plunged into forest depths that I said to myself: "We must be coming near Senlis!" For the very name "Senlis" fills the mind with forest pictures. No wonder, since it lies walled away from the outer world—like the Sleeping Beauty—by woods, and woods, and woods: the forests of Hallette, Chantilly, and Ermenonville, each as full of history as it is now of aromatic scents, and used to be of wild boars for kings to kill!

I think the best of the forest pictures has Henri de Navarre for its principal figure. Brian and I turned over the pages of our memory for the Becketts, who listened like children to fairy tales—or as we listened when you used to embroider history for us in those evening causeries in the dear old "den," Padre.