"Murder! A woman murdered!" she whispered rather than cried, as one strives voicelessly to shriek in a dream. Just then she saw me, and held out both hands as if for help. I pushed past everyone else and got to her: but others surged forward and she and I gave way before the crowd. A dozen men at least must have jostled into the room after us; but at the instant I hardly knew that they were there. I saw a big woman in grey drawing a veil closely round her face as she rose from a cushioned lounge: and I saw lying on the floor the body of Helen Hartland with a thin stiletto sticking in her breast—a stiletto I had lent her to use as a paper knife. I recognised it instantly in redoubled horror, though not thinking then of consequences for myself.
By this time a policeman—one of those always present on the aviation grounds—forced his way through the crowd massed in the corridor. He got rid in summary fashion of everyone, except the two ladies, occupants of the room, myself (because I seemed to know and have some business with them) and the landlord. Another policeman who followed close on his heels, guarded the doors of the adjoining rooms, and doubtless a third busied himself in sending off frantic telephone calls.
Helen Hartland lay on her back on the pale grey carpet stained with her blood; and Maida told tremulously how the tragedy had been discovered. The Head Sister, feeling ill, had lain down on a sofa not far from the door of communication between this room and the next. She had fancied a noise on the other side, and asked Maida to try if the door were fastened. Strangely, it was not (though Edson cut in to protest that it, and all other communicating doors were invariably locked). The door had opened as the handle turned, and to the girl's horror the figure of a dead woman—standing squeezed in between the two doors—had fallen into the room.
Hardly had the faltering explanation reached this point when a doctor arrived—the man who had been in the hotel, attending Charlie Bridges. He examined the body, pronounced that life had not been extinct for half an hour, and thought from the position of the weapon, that death had been caused by another hand than Helen's own.
There was, of course, no difficulty in identifying the girl, for the landlord and I were both on the spot retained to give evidence. It soon came out that Helen Hartland had told Mrs. Edson she expected a visit from Lord John Hasle, and I without hesitation admitted making it. The Head Sister chimed in, saying that she and her friend had come for the express purpose of seeing Miss Hartland and persuading her to leave "her unsuitable position." The adjoining room was entered, for it was found that the second of the double doors was unlocked. The confusion was remarked, and silence was maintained when I told how in jumping up at the sound of the scream I had thrown down a chair and pulled off a tablecloth.
The books with my name written in them were handled by the policeman who had taken charge, and by his superior who soon arrived on the scene. Letters of mine—albeit innocent ones—were unearthed. A few drops of blood were discovered on the strawberry-coloured carpet between the table and the door, as well as between the double doors, in the narrow space into which the body had been thrust. Worse than all, my monogram was seen to adorn the stiletto paper-knife; and later (when I had been rather reluctantly arrested on suspicion) the last letter Helen had written turned up in my pocket. I had slipped it in and forgotten about it; but with so many damaging pieces of evidence that capped the climax. The girl accused me in so many words of wishing to get her out of the way, to send her back to England.
It seemed like a nightmare, and a stupid nightmare: one of those nightmares when you know you are awake yet cannot rouse yourself: I, John Hasle, brother and heir to the Marquis of Haslemere, lay under strong suspicion of having murdered a pretty little third-rate actress who had become troublesome to my "lordship"—Helen Hartland.
Everything was against me, nothing apparently for me: yet I was almost insolently sure that my innocence would prove itself, until the lawyer my friends engaged in my defence showed me how seriously he took the matter.
"You're in a bad fix," he said, "unless we can find someone to prove that you weren't in that room long enough to have killed the girl and hidden her between the doors. You see, that would have been a smart dodge on the murderer's part, putting her there. If the next room hadn't happened to be occupied (it seldom is, the landlady says) the man who did the trick would have had plenty of time to get away before the crime was found out. It was an accident that there were ladies on the other side to open the door of their room and see what was behind it. Your letters, your books, your stiletto——"
"It seems to me the stiletto is a proof of my innocence, not of my guilt," I ventured. "If I'd wanted to kill the girl, I wouldn't have done it in a way to incriminate myself, would I?"