A quarter of an hour passed, perhaps, and then the Prince came back accompanied by a man so huge that the tall Austrian seemed a boy beside him. They looked at the car, communicating by gestures, and then the Prince said, if we would walk to the house the woman there would receive us, while he and his companion pushed the automobile into a shed which the man had.

I made no further attempt to extract a relenting word from Aunt Kathryn, as we tramped side by side along the road. Reaching a two-storied stone box of a house, she dropped behind at the doorway, leaving me to confront a hard-faced woman in a white jacket, with a graceful head-dress half-hiding her black hair. In one hand she had a partly finished stocking with knitting-needles in it; in the other she held a candle in a quaintly made iron candlestick. Something she said to us in a strange, but rather soft-sounding language, of which I couldn't understand one syllable; but seeing my hopelessly blank expression she smiled, nodded, and motioned us to cross the threshold.

The room was bare, with a floor of pounded earth. There was a wooden table in it, a few shelves, and a long bench; but beyond was a more attractive interior, for in an inner apartment she had lighted a fire of sticks on a rude hearth.

I stood aside to let Aunt Kathryn pass in before me, which she did without a word. We both stood before the fire, holding out gloved hands to the meagre blaze, while little Airole ran about, whimpering and examining everything with unconcealed disapproval.

I had just time to notice how oddly shabby Aunt Kathryn's gloves were, and to wonder if she didn't intend to take off the "mushroom" (the talc window of which the firelight transformed into a pane of red glass), when Prince Dalmar-Kalm appeared. Without asking permission he walked in, and looking at Aunt Kathryn, said in French, "You may go, Victorine."

I stared, as bewildered as if the unfamiliar scene were turning to a dream; but as the cloaked and mushroomed figure reached the door, the spell broke.

I took a step after it, exclaiming, "Aunt Kathryn—Kittie!"

The door shut almost in my face. "That is not your Aunt Kathryn," said the Prince, in a voice which, though low, vibrated with excitement. "It is one of the Contessa Corramini's servants, chosen to play this part because her figure is enough like your aunt's to resemble it closely in a motor-coat. All that is of your aunt is that coat, the hat, the mask of silk. You must hear the truth now, for it is time, and know what you have to face."

"I don't understand you," I stammered weakly. It was more than ever as if I were in a dream. I actually told myself that I would wake up in bed at the Hotel Imperial in Ragusa. And oh, how I wished that I would wake soon!

"I will make you understand," went on the Prince. "You know—you've known for many days—how I love you. You have forced me to do this thing, because you were obstinate, and would not give me yourself, though I could not live without you. Because I could not, I have done this. It was planned as long ago as Venice. I confided all to Corramini, though not to his wife, and he promised to help me because he is in money difficulties, and I agreed to do something for him. But if you had been kind last night in Ragusa, when I gave you one more chance to repent, you might have been spared this. It was only to happen if all else failed."