When the music of the dream had ceased and suddenly became ostentatiously puerile, the audience broke into a tumult of applause. Women clapped their hands furiously and many men shouted "brava, brava," hoping that the curtain might rise once more on the picture; but it did not rise, and Stephen was glad. The dream would have been vulgarized by repetition.
For fully five minutes the orchestra played some gay tune which every one there had heard a hundred times; but abruptly it stopped, as if on a signal. For an instant there was a silence of waiting and suspense, which roused interest and piqued curiosity. Then there began a delicate symphony which could mean nothing but spring in a forest, and on that the curtain went up. The prophecy of the music was fulfilled, for the scene was a woodland in April, with young leaves a-flicker and blossoms in birth, the light song of the flutes and violins being the song of birds in love. All the trees were brocaded with dainty, gold-green lace, and daffodils sprouted from the moss at their feet.
The birds sang more gaily, and out from behind a silver-trunked beech tree danced a figure in spring green. Her arms were full of flowers, which she scattered as she danced, curtseying, mocking, beckoning the shadow that followed her along the daisied grass. Her little feet were bare, and flitted through the green folding of her draperies like white night-moths fluttering among rose leaves. Her hair fell over her shoulders, and curled below her waist. It was red hair that glittered and waved, and she looked a radiant child of sixteen. Victoria Ray the dancer, and the girl on the Channel boat were one.
IV
The Shadow Dance was even more beautiful than the Dance of the Statue, but Stephen had lost pleasure in it. He was supersensitive in these days, and he felt as if the girl had deliberately made game of him, in order that he should make a fool of himself. Of course it was a pose of hers to travel without chaperon or maid, and dress like a school girl from a provincial town, in cheap serge, a sailor hat, and a plait of hair looped up with ribbon. She was no doubt five or six years older than she looked or admitted, and probably her manager shrewdly prescribed the "line" she had taken up. Young women on the stage—actresses, dancers, or singers, it didn't matter which—must do something unusual, in order to be talked about, and get a good free advertisement. Nowadays, when professionals vied with each other in the expensiveness of their jewels, the size of their hats, or the smallness of their waists, and the eccentricity of their costumes, it was perhaps rather a new note to wear no jewels at all, and appear in ready-made frocks bought in bargain-sales; while, as for the young woman's air of childlike innocence and inexperience, it might be a tribute to her cleverness as an actress, but it was not a tribute to his intelligence as a man, that he should have been taken in by it. Always, he told himself, he was being taken in by some woman. After the lesson he had had, he ought to have learned wisdom, but it seemed that he was as gullible as ever. And it was this romantic folly of his which vexed him now; not the fact that a simple child over whose fate he had sentimentalized, was a rich and popular stage-dancer. Miss Ray was probably a good enough young woman according to her lights, and it was not she who need be shamed by the success of the Channel boat comedy.
He had another day and night in Paris, where he did more sightseeing than he had ever accomplished before in a dozen visits, and then travelled on to Marseilles. The slight damage to the Charles Quex had been repaired, and at noon the ship was to sail. Stephen went on board early, as he could think of nothing else which he preferred to do, and he was repaid for his promptness. By the time he had seen his luggage deposited in the cabin he had secured for himself alone, engaged a deck chair, and taken a look over the ship—which was new, and as handsome as much oak, fragrant cedar-wood, gilding, and green brocade could make her—many other passengers were coming on board. Travelling first class were several slim French officers, and stout Frenchmen of the commercial class; a merry theatrical company going to act in Algiers and Tunis; an English clergyman of grave aspect; invalids with their nurses, and two or three dignified Arabs, evidently of good birth as well as fortune. Arab merchants were returning from the Riviera, and a party of German students were going second class.
Stephen was interested in the lively scene of embarkation, and glad to be a part of it, though still more glad that there seemed to be nobody on board whom he had ever met. He admired the harbour, and the shipping, and felt pleasantly exhilarated. "I feel very young, or very old, I'm not sure which," he said to himself as a faint thrill ran through his nerves at the grinding groan of the anchor, slowly hauled out of the deep green water.
It was as if he heard the creaking of a gate which opened into an unknown garden, a garden where life would be new and changed. Nevill Caird had once said that there was no sharp, dividing line between phases of existence, except one's own moods, and Stephen had thought this true; but now it seemed as if the sea which silvered the distance was the dividing line for him, while all that lay beyond the horizon was mysterious as a desert mirage.
He was not conscious of any joy at starting, yet he was excited, as if something tremendous were about to happen to him. England, that he knew so well, seemed suddenly less real than Africa, which he knew not at all, and his senses were keenly alert for the first time in many days. He saw Marseilles from a new point of view, and wondered why he had never read anything fine written in praise of the ancient Phoenician city. Though he had not been in the East, he imagined that the old part of the town, seen from the sea, looked Eastern, as if the traffic between east and west, going on for thousands of years, had imported an Eastern taste in architecture.