"The equivalent," said Nevill. "The one thing which I want, and don't seem likely to get, though I haven't quite given up hope. It's a woman. And she doesn't want me—or my palace. I'll tell you about her some day—soon, perhaps. And maybe you'll see her. But never mind my troubles for the moment. I can put them out of my mind with comparative ease, in the pleasure of welcoming you. Now we'll go indoors. You haven't an idea what the house is like yet. By the way, I nearly forgot this chap."
He put his hand into the pocket of his grey flannel coat, and pulled out a green frog, wrapped in a lettuce leaf which was inadequate as a garment, but a perfect match as to colour.
"I bought him on the way down to meet you," Nevill explained. "Saw an Arab kid trying to sell him in the street, poor little beast. Thought it would be a friendly act to bring him here to join my happy family, which is large and varied. I don't remember anybody living in this fountain who's likely to eat him, or be eaten by him."
Down went the frog on the wide rim of the marble fountain, and sat there, meditatively, with a dawning expression of contentment, so Stephen fancied, on his green face. He looked, Stephen thought, as if he were trying to forget a troubled past, and as if his new home with all its unexplored mysteries of reeds and lily pads were wondrously to his liking.
"I wish you'd name that person after me," said Stephen. "You're being very good to both of us,—taking us out of Hades into Paradise."
"Come along in," was Nevill Caird's only answer. But he walked into the house with his hand on Stephen's shoulder.
IX
Djenan El Djouad was a labyrinth. Stephen Knight abandoned all attempt at keeping a mental clue before he had reached the drawing-room. Nevill led him there by way of many tile-paved corridors, lit by hanging Arab lamps suspended from roofs of arabesqued cedar-wood. They went up or down marble steps, into quaint little alcoved rooms furnished with nothing but divans and low tables or dower chests crusted with Syrian mother-o'-pearl, on into rooms where brocade-hung walls were covered with Arab musical instruments of all kinds, or long-necked Moorish guns patterned with silver, ivory and coral. Here and there as they passed, were garden glimpses, between embroidered curtains, looking through windows always barred with greenish wrought iron, so old as to be rarely beautiful; and some small windows had no curtains, but were thickly frilled outside with the violent crimson of bougainvillæa, or fringed with tassels of wistaria, loop on loop of amethysts. High above these windows, which framed flowery pictures, were other windows, little and jewelled, mere plaques of filigree workmanship, fine as carved ivory or silver lace, and lined with coloured glass of delicate tints—gold, lilac, and pale rose.
"Here's the drawing-room at last," said Nevill, "and here's my aunt."