They passed the museum in its garden, and turned a corner.
"There's Mademoiselle Soubise's shop," said Nevill.
It was a low white building, and had evidently been a private house at one time. The only change made had been in the shape and size of the windows on the ground-floor; and these were protected by green persiennes, fanned out like awnings, although the house was shaded by magnolia trees. There was no name over the open door, but the word "Antiquités" was painted in large black letters on the house-wall.
Under the green blinds was a glitter of jewels displayed among brocades and a tangle of old lace, or on embossed silver trays; and walking in at the door, out of the shadowy dusk, a blaze of colour leaped to the eyes. Not a soul was there, unless some one hid and spied behind a carved and gilded Tunisian bed or a marqueterie screen from Bagdad. Yet there was a collection to tempt a thief, and apparently no precaution taken against invaders.
Delicate rugs, soft as clouds and tinted like opals, were heaped in piles on the tiled floor; rugs from Ispahan, rugs from Mecca; old rugs from the sacred city of Kairouan, such as are made no more there or anywhere. The walls were hung with Tunisian silks and embroidered stuffs from the homes of Jewish families, where they had served as screens for talismanic words too sacred to be seen by common eyes; and there was drapery of ancient banners, Tyrian-dyed, whose gold or silver fringes had been stained with blood, in battle. From the ceiling were suspended antique lamps, and chandeliers of rare rock crystal, whose prisms gave out rose and violet sparks as they caught the light.
On shelves and inlaid tables were beggars' bowls of strange dark woods, carried across deserts by wandering mendicants of centuries ago, the chains, which had hung from throats long since crumbled into dust, adorned with lucky rings and fetishes to preserve the wearer from evil spirits. There were other bowls, of crystal pure as full-blown bubbles, bowls which would ring at a tap like clear bells of silver. Some of these were guiltless of ornament, some were graven with gold flowers, but all seemed full of lights reflected from tilted, pearl-framed mirrors, and from the swinging prisms of chandeliers.
Chafing-dishes of bronze at which vanished hands had been warmed, stood beside chased brazen ewers made to pour rose-water over henna-stained fingers, after Arab dinners, eaten without knives or forks. In the depths of half-open drawers glimmered precious stones, strangely cut pink diamonds, big square turquoises and emeralds, strings of creamy pearls, and hands of Fatma, a different jewel dangling from each finger-tip.
The floor was encumbered, not only with rugs, but with heaps of priceless tiles, Persian and Moorish, of the best periods and patterns, taken from the walls of Arab palaces now destroyed; huge brass salvers; silver anklets, and chain armour, sabres captured from Crusaders, and old illuminated Korans. It was difficult to move without knocking something down, and one stepped delicately in narrow aisles, to avoid islands of piled, precious objects. Everywhere the eye was drawn to glittering points, or patches of splendid colour; so that at a glance the large, dusky room was like a temple decorated with mosaics. There was nothing that did not suggest the East, city or desert, or mountain village of the Kabyles; and the air was loaded with Eastern perfumes, ambergris and musk that blended with each other, and the scent of the black incense sticks brought by caravan from Tombouctou.
"Why doesn't some one come in and steal?" asked Stephen, in surprise at seeing the place deserted.
"Because there's hardly a thief in Algiers mean enough to steal from Jeanne Soubise, who gives half she has to the poor. And because, if there were one so mean, Haroun el Raschid would soon let her know what was going on," said Nevill. "His latest disguise is that of a parrot, but he may change it for something else at any moment."